黑料不打烊

For those who have yet to bounce on Beci Orpin鈥檚 Bunny Dearest or browse nostalgically for their favourite video tape in Callum Preston鈥檚 Videoland, or those who simply want to do it again - good news is at hand.

Bathurst Regional Art Gallery鈥檚 current exhibition Dhuluny: the war that never ended is an invitation to listen, to converse, and to conceive as a community 鈥渨hat now?鈥� Dhuluny, curated by Wiradyuri / Kamilaroi artist Jonathan Jones.

The 18th Adelaide Biennial of Australian Art: Inner Sanctum is a rich survey exhibition presenting twenty-four artists and poets whose work reflects contemporary Australian art...

In his writings on late modernity, Marxist historian Eric Hobsbawm skewers art as the complicit refuge of the soul under capitalism.

The 18th Adelaide Biennial of Australian Art: Inner Sanctum, curated by Jos茅 Da Silva, assembles 24 leading artists and poets for an exhibition that can be seen, heard, and felt at the Art Gallery of South Australia until 2 June.

I was sitting on a chair in the Piazza Bar at the Preview of the Melbourne Art Fair (MAF), sipping a Piper-Heidsieck champagne (one of many MAF partners)...

Gallerists described a relaxed atmosphere and an enthusiastic audience at the opening of the fair's 17th edition.

Within a contemporary art landscape replete with biennials, Jos茅 Da Silva sets out to offer us something contemplative.

Melbourne Art Fair, Australasia鈥檚 progressive forum for contemporary art and ideas today unveils the full artistic program for its mammoth 17th edition, set to take over the Denton Corker Marshall designed Melbourne Convention and Exhibition Centre (MCEC) from 22 鈥� 25 February.

Studio residencies are a central tenet of Artspace鈥檚 program, offering ten rent-free studios annually; supporting and facilitating the professional development of artists at all stages of their careers, from emerging to established.

A major new exhibition at the Australian Centre for Contemporary Art featuring ten ambitious commissions by emerging and established First Nations artists that embrace the intersection of material and immaterial realms of knowledge and knowing is now on view.

Between Waves, that opens today at the Australian Centre for Contemporary Art, is the third edition of the Yalingwa exhibition series that supports the development of outstanding contemporary First Peoples art and curatorial practice in Southeast Australia.

ACCA is proud to present聽Between Waves,聽which continues the Yalingwa exhibition series devoted to highlighting the significance of First Nations contemporary art practice of the Southeast within a national context.

This year the major biennial survey of contemporary Australian Art features a female-led curatorial team and a collaboration between four of Sydney鈥檚 leading cultural institutions...

In works that are both humorous and heartfelt, ACMI鈥檚 How I See It sets out to change our perspectives.