黑料不打烊

Liz Magor鈥檚 sculptures have luxuriated in the realm of the downtrodden and dejected for years.

From barn-side group shows to forest installations and long-awaited museum retrospectives, these ten shows make the journey north a must for city-dwellers chasing fresh air and sharper cultural programming.

鈥淎 garment, a pin, a seam, a shield鈥� is an exhibition of work by Myriam Mihindou, Liz Magor, Joanna Piotrowska, Vivian Lynn, and Gray Wielebinski.

鈥淎 garment, a pin, a seam, a shield鈥� at Phillida Reid is a thoughtfully composed exhibition that attends to the afterlives 鈥� or the Warburgian Nachleben 鈥� of things: imprints, surfaces, stains, residues.

The Campus announces the opening of its second annual exhibition on Saturday, June 28 from 11 AM - 5 PM. The opening features a performance by experimental musician Will Epstein.

Progress and prosperity are often equated with the accumulation of goods. In spite of the increasing relevance of post-growth theories, growing consumer behaviour is significantly shaping our present society.

Progress and prosperity are often equated with the accumulation of goods. 

Always Thinking Like A Scrim at Shimmer

The 11th edition of the Quebec City Biennial, curated by Marie Muracciole will take place from February 23 to April 28, 2024 under the theme The Strength of Sleep鈥擳he Cohabitations of All the Living.

The Frye Art Museum announced the acquisition initiative Local Ties, intended to underscore the museum鈥檚 identity as an 鈥榓rtist鈥檚 art museum鈥� and a commitment to collecting work made by artists.

The exhibition at Fondazione Giuliani presents a selection of works produced in the last five years that considers Magor鈥檚 understanding of the presence of 鈥榓gency鈥� within inanimate, material objects and her enquiry as to the source of their intrigue and emotional resonance.

Liz Magor鈥檚 sculptural work explores the ontology of familiar objects and the belief that all objects are subject to change, including those we choose to live with and wear.

Liz Magor鈥檚 current exhibition at the Museum of Contemporary Art Toronto includes a recent sculpture featuring a stuffed baby giraffe lying on a work table; it鈥檚 rather life-like and recognizable by its extended neck.

This autumn, MOCA is thrilled to present the work of two internationally celebrated artists whose respective exhibitions offer distinct and bold approaches to sculpture.

Titled The Rise and The Fall, the exhibition presents a focused selection of works produced over the last five years that explore our relationship with the material world, inviting us to examine the tension between attraction and disinterest.