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鈥淲ell, it鈥檚 APT time . . . again,鈥� I want to say with the on-camera inflections of Bill Murray in Groundhog Day, 1993, dejected by the day鈥檚 repetition.
As art museums increasingly emphasise relationships and mutuality, curators have placed a greater focus on fostering dynamic connections between the viewer and the artwork.
Through such questions, the S.E.A. Focus panel discussion 'When Patronage Becomes Form' sought out the unique positionality of the Southeast Asian collector.