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This year, through important gifts and the support of the Art Collectors鈥� Council, the Huntington Art Museum acquired significant works by such artists as Judy Chicago, Henry Moore, Raqib Shaw, Frank Stella, and Andy Warhol.

The Detroit Institute of Arts announced today the grand opening of its reimagined African American art galleries, which serve as the new home of the museum鈥檚 renowned and unmatched collection of works amassed by its Center for African American Art.

The show is one of the largest presentations of contemporary Native American art ever in the Midwest, and the first major Native American art exhibition at the DIA in over 30 years.

Baltimore art news updates from independent & regional media

Today, the National Gallery of Art announces details of its 鈥淎cross the Nation鈥� partnership program bringing key works of art from its permanent collection to regional museums across the United States in 2025 and 2026.

A Rembrandt in Denver. A Botticelli in Flint, Michigan. A Rothko in Boise. An O鈥橩eeffe in Anchorage. Masterpieces from the collection of the National Gallery of Art in Washington, D.C. will soon be on view in far-flung locales across the country.

The initiative, already underway and continuing through May 2026, comes as the Trump administration has pressured arts funders and institutions to prioritise semiquincentennial projects.

Tastemakers, Collectors and Patrons: Collecting American Art in the Long Nineteenth-Century is an ambitious undertaking: a collection of a dozen contributions, including the introduction.

Curated by Adrienne Edwards, Edges of Ailey is more than a survey of Alvin Ailey鈥檚 output.

This book focuses on the ways in which nature in America was culturally constructed and mutually determined by land ownership, economic development, and settler colonialism.

The museum expanded its exhibition space and reorganised its permanent collection for the first time in almost 100 years鈥攚ith a special focus on Native American art.

Your first thought about the landscape paintings that dominated the American art market in the nineteenth century is probably about the grand ones: mammoth canvases by Frederic Edwin Church or Albert Bierstadt, seven feet wide.

Edges of Ailey, opening at the Whitney Museum of American Art on September 25, is the first large-scale museum exhibition to celebrate the life, dances, influences, adjacencies.

Three exhibitions open at the Walters Art Museum this Winter, providing visitors with news ways to experience works in the museum鈥檚 expansive historic collection.

Don鈥檛 come to Unnamed Figures expecting to see pictures of Black people sitting comfortably alongside words like 鈥渆mpowerment鈥� or 鈥渆xcellence.鈥�