黑料不打烊

In Our Hands: Native Photography, 1890 to Now is a major exhibition at the Minneapolis Institute of Art, spanning 130 years of work by First Nations, M茅tis, Inuit, and Native American photographers.

Entering the gallery, one has a sense of d茅j脿 vu. The backgrounds of the photographs are stark white, edged in black, reminiscent of Richard Avedon鈥檚 鈥淭he Family鈥� series, in which the sitters were the entire story.

The Center for Curatorial Studies鈥� Hessel Museum of Art presents the first major exhibition to center performance as an origin point for the development of contemporary art by Native American...

Opening at the Art Gallery of Ontario (AGO) on June 24, 2023, Rosalie Favell: Portraits of Desire presents a selection of poignant and wryly humorous photographs and paintings by M茅tis artist Rosalie Favell.

This summer offers a wealth of opportunities to celebrate queer art around the world, from an LGBTQ tour of the British Museum to a New York retrospective of Tracey Rose

Today, the Amon Carter Museum of American Art announced the acquisition of works by Luis Jim茅nez, Norman Lewis, Richard Misrach, Hulleah Tsinhnahjinnie, and Kara Walker, among others....

Offering free admission, nightly access till 9 p.m., and free childcare every Wednesday afternoon, the new OAG emphasizes access as well as aesthetics

It started as an idea in the heart of Winnipeg. But this spring, 鈥淩esilience鈥� will be on billboards from coast to coast to coast. Curator Lee-Ann Martin tells us how.

Plus: Kapwani Kiwanga wins the inaugural Frieze Artist Award, and 11 artists make the Scotiabank Photo Award longlist

History, in the Western sense, is made up of textbooks, monuments and an official narrative. How do you then go about generating a lineage of those who have a history of being excluded from the 鈥渙fficial鈥� narrative?

鈥淪teeling the Gaze鈥� is a show of portraiture by aboriginal artists, and it doesn鈥檛 take a particularly analytical mind to grasp the obvious juxtaposition