黑料不打烊

The title 鈥�an Atlanta Biennial鈥� is a bit tongue-in-cheek because of the trappings associated with biennials.

As our Freaknik celebrations of the 1980s and 鈥�90s showed, if there鈥檚 one thing this city knows how to do well, it鈥檚 how to throw a party.

Artists have been taking the exhibition of their artwork into their own hands for centuries. Often this happens when they become frustrated with a lack of opportunity and the limited perspective of the art-world status quo.

As Scott Ingram walks the interior of the Conklin Metal Building 鈥� a red-brick industrial complex that will be home base for his Temporary Art Center exhibition, PROJECT (opening Friday) 鈥� he says the legwork required for prepping all 66,000 square feet has been monumental.

As the year comes to a close, BURNAWAY Executive Director Erin Jane Nelson and Editor Logan Lockner reflect on their favorite exhibitions in the South in 2018. Stay tuned for BA鈥檚 preview of 2019 next week.

Three exhibitions at Hathaway Gallery, closing May 31, raise a longstanding issue of interpretation that remains, sometimes, an object of contention.

The P茅rez Art Museum Miami (PAMM) has just announced Franklin Sirmans as its new director. He will assume his new post on October 15, giving him ample

The Columbus Museum will partner with the Columbus State University Department of Art to present a dual exhibition: Beyond the Grid/Into the Sublime

The City of Atlanta Mayor鈥檚 Office of Cultural Affairs and the Cyclorama will present 鈥淎rt Against the Wall,

The two local art galleries that represented Scott Ingram over the past decade both folded, leaving him without one for the past eight months.

Scott Ingram’s current solo show at Emily Amy Gallery, Cusp, continues his twelve-year long series of nail polish paintings. Ingram has used

Who was this person with resources and ideas advocating and seeding structural changes in the Atlanta arts ecology?

Not only was it exceptional in terms of artistic quality (and the fact it was a legitimately planned-through curation, instead of a hodgepodge)

The Jacqueline Casey Hudgens Center for the Arts has awarded the Hudgens Prize to Gyun Hur. At the November 30th awards ceremony, Hur received a $50,000

Gyun Hur, a 27-year-old Marietta resident who came to the U.S. from her native Korea at age 13, has won the first Hudgens Prize, a visual arts competition