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Sebastian Gladstone is presenting timo fahler's TERMINAL CLASSIC at the New York gallery. This exhibition gathers a new body of work made between Los Angeles and Amsterdam, during a time of personal upheaval and collective uncertainty.

Stained glass is a 鈥渟torytelling medium in which I get to draw from everything I experience, everything I study, read, believe in, and even distrust,鈥� Fahler tells Colossal.

Many speculated that Art Basel's Miami 2024 iteration would indicate whether the market had truly rebounded.

The 2024 Art Basel fair in Miami Beach, the first under new director Bridget Finn, closed on Sunday after welcoming more than 75,000 visitors...

It is said, in the realm of science, that glass is a state of matter rather than a material鈥撯�搉either solid nor liquid, but in between.

On Western Ave., between Maplewood and Melrose, around the intersection of Western and Santa Monica Blvd...

In  鈥渉ope against hope,鈥� on view at 56 Henry in New York City through January 29th, Timo Fahler uses stained glass to investigate both the affordances and the limitations of personal and cultural myth. 

Among the glitz and bling of blue-chip galleries and international art powerhouses at Frieze Los Angeles鈥檚 2022 edition this week, one section aims to shine a light on smaller, hometown spaces.

Frieze Los Angeles will return next spring after a year off due to COVID.

Precarious as obtained by entreaty or prayer,鈥� Timo Fahler鈥檚 solo exhibition at Maple St. Construct, features 27 iterations of The Inspiration of Saint Matthew (1602), a painting by the canonical artist Caravaggio.

An interview series spotlighting some of the creative community members in the US Southwest. Hear from artists, curators, and art workers about their current projects and personal quirks.

Timing is everything.