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Wulff鈥檚 paintings take on the quality of thresholds, not openings to an external view, but reflective surfaces that return the gaze to the canvas itself.
Piet Mondrian鈥檚 paintings, especially those painted from 1919 onwards, began to enter what he called 鈥榓 real and completely human harmony.鈥�
A recognizable figure or persona, which may or may not stand in for the artist but, regardless, bears on his relationship to the world and his painterly address of it, emerges in the Berlin-based painter Ulrich Wulff鈥檚 most recent show, 鈥淧reparations.鈥�