黑料不打烊

The title 'Self-Portrait as a Coffee-Pot,' a series of nine short films by William Kentridge, promises an absurd(ist) and idiosyncratic self-examination.

My frieze week started with 鈥楥upid and Psyche鈥櫬�(1789) at the Courtauld, illuminated by the single flame of a candle 鈥� that unforgettable image by Joshua Reynolds of love laid utterly bare.

Collectors here seem increasingly selective, gravitating toward institutionally grounded names and blue-chip fixtures, while showing less appetite for new figurative works propelled by purely commercial momentum.

The fair's new Avant-Premi猫re preview for the most important VIPs generated seven- and eight-figure sales of blue-chip art, but things were quieter upstairs in the emerging gallery sector.

Artlyst has selected twelve art exhibitions that will take place outside of London in Autumn / Winter 2025, from inspirational women artists like Bridget Riley at Turner Contemporary.

By visiting an art fair you can effectively tour the whole world from a single place.

This new survey is as much about Kentridge鈥檚 creative and conceptual process as about how we make sense of an increasingly polarised world.

William Kentridge has spent more than four decades reshaping how we see art鈥檚 relationship to politics, history and memory.

The October issue of ArtReview issue considers our relationship, current and historical, to our environment.

The Hudson River Museum presents two timely and powerful exhibitions that grapple with issues of 鈥渉eat鈥� in literal and metaphorical ways, and from the ideological to the environmental.

To mark the 70th birthday of William Kentridge, the Staatliche Kunstsammlungen Dresden (Dresden State Art Collections, SKD) are dedicating a major exhibition festival to the South African artist under the title William Kentridge. Listen to the Echo.

From September 10th to 14th, Pozzuoli hosted 鈥楶anorama,鈥� a city-wide exhibition conceived by Italics, a consortium of more than 60 art galleries, aimed at foregrounding Italian cultural heritage.

As someone passionate about art situated within remarkable architecture and landscapes, I was thoroughly impressed by Panorama Pozzuoli, organised by Italics and curated by Chiara Parisi.

The Collection of Gemma De Angelis Testa With the show devoted to the Gemma De Angelis Testa collection, Villa Panza inaugurates a cycle of exhibitions on the subject of Italian and international collecting.

When commerce masquerades as culture, South Africa鈥檚 art fairs reveal their obsolescence.