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Similar Lots to This Artwork

Kiyonaga Torii (1752-1815) Modern version of the story of Ushiwakamaru serenading Jôruri-hime at the entrance to his house Signed Kiyonaga ga. Publisher Nishimuraya. Format oban tate-e, part of triptych: 37.5 x 25.3 cm Yellowed proof, wetness, oxidation. by Torii Kiyonaga

Kiyonaga Torii (1752-1815) Modern version of the story of Ushiwakamaru serenading J么ruri-hime at the entrance to his house Signed Kiyonaga ga. Publisher Nishimuraya. Format oban tate-e, part of triptych: 37.5 x 25.3 cm Yellowed proof, wetness, oxidation.

oban
37.5 x 25.3 cm
Estimate:
Result:
Kiyonaga Torii (1752-1815) Pilgrimage to Enoshima Three women rest outside a teahouse on the banks of the Katase River, facing Enoshima. Date: circa 1789. Signed Kiyonaga ga. Censor seal missing. Publisher Eijudo. Format oban tate-e: 37.7 x 24.6 cm (right leaf of a triptych) Traces of embossing. Framed under glass. Bibliography: Ukiyo-e Shuka, vol. 5, p.162, 184, 185 and 186 repr. triptych - Ukiyo-e Taisei, vol. 6, 122 - Hirano, Kiyonaga A study of his life and works, Museum of Fine Arts, Boston by Torii Kiyonaga, circa 1789

Kiyonaga Torii (1752-1815) Pilgrimage to Enoshima Three women rest outside a teahouse on the banks of the Katase River, facing Enoshima. Date: circa 1789. Signed Kiyonaga ga. Censor seal missing. Publisher Eijudo. Format oban tate-e: 37.7 x 24.6 cm (right leaf of a triptych) Traces of embossing. Framed under glass. Bibliography: Ukiyo-e Shuka, vol. 5, p.162, 184, 185 and 186 repr. triptych - Ukiyo-e Taisei, vol. 6, 122 - Hirano, Kiyonaga A study of his life and works, Museum of Fine Arts, Boston ,circa 1789

oban
37.7 x 24.6 cm
Estimate:
Result:
Torii Kiyonaga (1752-1815) Oban tate-e by Torii Kiyonaga

Torii Kiyonaga (1752-1815) Oban tate-e

oban
38.2 x 26.2 cm
Estimate:
Result:
Torii Kiyonaga (1752-1815) Oban tate-e by Torii Kiyonaga

Torii Kiyonaga (1752-1815) Oban tate-e

oban
35.5 x 24.7 cm
Estimate:
Result:
Torii Kiyonaga (1752-1815) Oban tate-e by Torii Kiyonaga

Torii Kiyonaga (1752-1815) Oban tate-e

oban
39.1 x 26.4 cm
Estimate:
Result:
Torii Kiyonaga (1752-1815) Oban tate-e by Torii Kiyonaga

Torii Kiyonaga (1752-1815) Oban tate-e

oban
37.1 x 25 cm
Estimate:
Result:
Torii Kiyonaga (1752-1815) Deux oban tate-e by Torii Kiyonaga

Torii Kiyonaga (1752-1815) Deux oban tate-e

oban
38.1 x 25.4 cm
Estimate:
Result:
Hinagata Moyono by Torii Kiyonaga, circa 1780

Hinagata Moyono ,circa 1780

Prints
37.9 x 24.2 cm
Estimate:
Result:
Kintaro Enoshima pilgrimage by Torii Kiyonaga

Kintaro Enoshima pilgrimage

woodcut
36.8 x 24.4 cm
Estimate:
Result:
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More Lots by Torii Kiyonaga in This Sale

Kiyonaga Torii (1752-1815) Modern version of the story of Ushiwakamaru serenading Jôruri-hime at the entrance to his house Signed Kiyonaga ga. Publisher Nishimuraya. Format oban tate-e, part of triptych: 37.5 x 25.3 cm Yellowed proof, wetness, oxidation.

Kiyonaga Torii (1752-1815) Modern version of the story of Ushiwakamaru serenading J么ruri-hime at the entrance to his house Signed Kiyonaga ga. Publisher Nishimuraya. Format oban tate-e, part of triptych: 37.5 x 25.3 cm Yellowed proof, wetness, oxidation.

Kiyonaga Torii (1752-1815) Pilgrimage to Enoshima Three women rest outside a teahouse on the banks of the Katase River, facing Enoshima. Date: circa 1789. Signed Kiyonaga ga. Censor seal missing. Publisher Eijudo. Format oban tate-e: 37.7 x 24.6 cm (right leaf of a triptych) Traces of embossing. Framed under glass. Bibliography: Ukiyo-e Shuka, vol. 5, p.162, 184, 185 and 186 repr. triptych - Ukiyo-e Taisei, vol. 6, 122 - Hirano, Kiyonaga A study of his life and works, Museum of Fine Arts, Boston

Kiyonaga Torii (1752-1815) Pilgrimage to Enoshima Three women rest outside a teahouse on the banks of the Katase River, facing Enoshima. Date: circa 1789. Signed Kiyonaga ga. Censor seal missing. Publisher Eijudo. Format oban tate-e: 37.7 x 24.6 cm (right leaf of a triptych) Traces of embossing. Framed under glass. Bibliography: Ukiyo-e Shuka, vol. 5, p.162, 184, 185 and 186 repr. triptych - Ukiyo-e Taisei, vol. 6, 122 - Hirano, Kiyonaga A study of his life and works, Museum of Fine Arts, Boston

- Attributed to Kiyonaga Torii (1752-1815) Shunga - Erotic print - Courtesan and young samurai Collector's red stamp: P.Blondeau ? Formataiban yoko-e : 5 x 31 cm (on view). Beautiful print. Faded colors. Restored wormholes. Traces of wear. Central fold. - Withdrawal - After Shunsho Katsukawa (1726-1793) Shunga - Erotic print - A courtesan's lovemaking with a young samurai. This print was inspired by an illustration published in the Ehon haikai yobuko-dori (Cuckoo's Illustrated Book). Formatoban

- Attributed to Kiyonaga Torii (1752-1815) Shunga - Erotic print - Courtesan and young samurai Collector's red stamp: P.Blondeau ? Formataiban yoko-e : 5 x 31 cm (on view). Beautiful print. Faded colors. Restored wormholes. Traces of wear. Central fold. - Withdrawal - After Shunsho Katsukawa (1726-1793) Shunga - Erotic print - A courtesan's lovemaking with a young samurai. This print was inspired by an illustration published in the Ehon haikai yobuko-dori (Cuckoo's Illustrated Book). Formatoban

Attributed to Kiyonaga Torii (1752-1815) Couple embracing A reclining, half-naked couple embrace, while the man caresses his partner. On the right is a tray with some crockery. After the Imayo irokumi no ito series by Katsukawa Shuncho Non. Signed. Format oban yoko-e: 25 x 36.8 cm Fine proof, lined, stains, wormholes, central fold. Reference: Shuncho print: Gian Carlo Calza, Poème de l'oreiller et autres récits, Phaidon, Paris, 2010, p.122.

Attributed to Kiyonaga Torii (1752-1815) Couple embracing A reclining, half-naked couple embrace, while the man caresses his partner. On the right is a tray with some crockery. After the Imayo irokumi no ito series by Katsukawa Shuncho Non. Signed. Format oban yoko-e: 25 x 36.8 cm Fine proof, lined, stains, wormholes, central fold. Reference: Shuncho print: Gian Carlo Calza, Po猫me de l'oreiller et autres r茅cits, Phaidon, Paris, 2010, p.122.

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