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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    The Stoning of Saint Stephen by Rembrandt van Rijn, 1635

    The Stoning of Saint Stephen ,1635

    etching with touches of engraving
    Plate 96 x 85 mm.Sheet 103 x 92 mm
    Estimate:
    Result:
    THE STONING OF ST. STEPHEN (B., HOLL. 97; NEW HOLL. 140; H. 125) by Rembrandt van Rijn, 1635

    THE STONING OF ST. STEPHEN (B., HOLL. 97; NEW HOLL. 140; H. 125) ,1635

    Etching
    sheet: 97 by 87mm 3 7/8 by 3 3/8 in
    Estimate:
    Result:
    My Collection
    THE STONING OF ST STEPHEN (B., HOLL. 97; NEW HOLL. 140; H. 125) by Rembrandt van Rijn, 1635

    THE STONING OF ST STEPHEN (B., HOLL. 97; NEW HOLL. 140; H. 125) ,1635

    Etching
    the smallest sheet: 124 by 104mm 5 by 4 1/8 inthe largest sheet: 232 by 307mm 9 1/8 by 12 1/8 in
    Estimate:
    Result:
    The Stoning of Saint Stephen by Rembrandt van Rijn, 1635

    The Stoning of Saint Stephen ,1635

    etching with touches of drypoint
    S. 96 x 87 mm
    Estimate:
    Result:
    The Stoning of Saint Stephen by Rembrandt van Rijn, 1635

    The Stoning of Saint Stephen ,1635

    etching with touches of drypoint
    S. 97 x 85 mm
    Estimate:
    Result:
    The Stoning of Saint Stephen (B., Holl. 97; H. 125) by Rembrandt van Rijn, 1635

    The Stoning of Saint Stephen (B., Holl. 97; H. 125) ,1635

    etching with touches of drypoint
    P. 96 x 85 mm., S. 100 x 89 mm
    Estimate:
    Result:
    The Stoning of Saint Stephen (B., Holl. 97; H. 125) by Rembrandt van Rijn, 1635

    The Stoning of Saint Stephen (B., Holl. 97; H. 125) ,1635

    etching with touches of drypoint
    S. 103 x 94 mm., P. 96 x 85 mm. (3)
    Estimate:
    Result:
    The Holy Family (B., Holl. 62; H. 95) by Rembrandt van Rijn, circa 1632

    The Holy Family (B., Holl. 62; H. 95) ,circa 1632

    etching with touches of drypoint
    S. 98 x 74 mm
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

    More Lots by Rembrandt van Rijn in This Sale

    ST JEROME KNEELING IN PRAYER, LOOKING DOWN (B., HOLL. 102; NEW HOLL. 142; H. 140)

    ST JEROME KNEELING IN PRAYER, LOOKING DOWN (B., HOLL. 102; NEW HOLL. 142; H. 140)

    JAN LUTMA, GOLDSMITH (B., HOLL. 276; NEW HOLL. 293; H. 290)

    JAN LUTMA, GOLDSMITH (B., HOLL. 276; NEW HOLL. 293; H. 290)

    SELF-PORTRAIT, FROWNING: BUST (B., HOLL. 10; NEW HOLL. 68; H. 30)

    SELF-PORTRAIT, FROWNING: BUST (B., HOLL. 10; NEW HOLL. 68; H. 30)

    THE CIRCUMCISION IN THE STABLE (B., HOLL. 47; NEW HOLL. 280; H. 274)

    THE CIRCUMCISION IN THE STABLE (B., HOLL. 47; NEW HOLL. 280; H. 274)

    THE ARTIST'S MOTHER SEATED, IN AN ORIENTAL HEADDRESS: HALF LENGTH (B., HOLL. 348; NEW HOLL. 86; H. 51)

    THE ARTIST'S MOTHER SEATED, IN AN ORIENTAL HEADDRESS: HALF LENGTH (B., HOLL. 348; NEW HOLL. 86; H. 51)

    THE ANGEL APPEARING TO THE SHEPHERDS (BARTSCH, HOLLSTEIN 44; NEW HOLLSTEIN 125; HIND 120)

    THE ANGEL APPEARING TO THE SHEPHERDS (BARTSCH, HOLLSTEIN 44; NEW HOLLSTEIN 125; HIND 120)

    MAN IN AN ARBOUR (B., HOLL. 257; NEW HOLL. 208; H. 194)

    MAN IN AN ARBOUR (B., HOLL. 257; NEW HOLL. 208; H. 194)

    3 WORKS: THE FLIGHT INTO EGYPT: SMALL (B., HOLL. 52; NEW HOLL. 117; H. 105)

    3 WORKS: THE FLIGHT INTO EGYPT: SMALL (B., HOLL. 52; NEW HOLL. 117; H. 105)

    THE DESCENT FROM THE CROSS: A SKETCH (B., HOLL. 82; NEW HOLL. 204; H. 199)

    THE DESCENT FROM THE CROSS: A SKETCH (B., HOLL. 82; NEW HOLL. 204; H. 199)

    3 WORKS: DAVID IN PRAYER; ST JEROME KNEELING IN PRAYER, LOOKING DOWN; AND THE STONING OF ST STEPHEN (B., HOLL. 41, 102, 97; NEW HOLL. 286, 142, 140; H. 258, 140, 125)

    3 WORKS: DAVID IN PRAYER; ST JEROME KNEELING IN PRAYER, LOOKING DOWN; AND THE STONING OF ST STEPHEN (B., HOLL. 41, 102, 97; NEW HOLL. 286, 142, 140; H. 258, 140, 125)

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    Head and shoulders self portrait - Rembrandt van Rijn

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