Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork
Property from a Private Collection MARTIN SCHONGAUER 1420 - 1491 THE MAN OF SORROWS BETWEEN THE VIRGIN AND ST JOHN聽(BARTSCH 69; LEHRS, HOLLSTEIN 34) Engraving, probably circa 1470-72, a very early impression, excellent in its effects and with only a little uneven printing towards some of the edges, at lower left, and with the monogram partly un-inked (not uncommon), on a Chancery half-sheet, watermark Bull's head with eyes and nostrils, single-line staff and X-cross, tied to a chainline
Provenance
J. D. Boehm (1794-1865), Vienna (L. 271 & 1442).
A. Firmin-Didot (1790-1876), Paris (L. 119); Delisle, Danlos, Pawlowski, Paris, 16 April -12 May 1877, lot 467.
L. Galichon (1829-1893), Paris (L. 1060).
A. and L. Curtis (b. 1863 and 1869), Paris (L. 94); Gutekunst & Klipstein, 28 April 1955, lot 128 (to Colnaghi's for Zinser).
With Richard Zinser (circa 1883-1983), Forest Hills, New York (not in Lugt).
Otto Sch盲fer, Schweinfurt, Germany (without his mark, not in Lugt); acquired from the above in 1964.
S. Josefowitz, Lausanne (without mark); acquired from the above in 1994.
ARTISTS
