ARTISTS
9th Biennial of Painting: Stories from the Ground
Below our feet, the Eurasian Plate is slowly shifting, while postcolonial and environmental challenges are forcing us to rethink notions of identity, class, and hierarchy.
The artists in Stories from the Ground address the ecological, material, social, symbolic, and spiritual dimensions of painting, telling stories about today's globalized world.
Some artists trace new ideas of the sublime in their collaboration with dirt, earth, and soil; other artists redefine the concept of 鈥済round鈥� through painterly protocols. In contrast, others explore adjacent media ecologies of printing or photography.
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Below our feet, the Eurasian Plate is slowly shifting, while postcolonial and environmental challenges are forcing us to rethink notions of identity, class, and hierarchy.
The artists in Stories from the Ground address the ecological, material, social, symbolic, and spiritual dimensions of painting, telling stories about today's globalized world.
Some artists trace new ideas of the sublime in their collaboration with dirt, earth, and soil; other artists redefine the concept of 鈥済round鈥� through painterly protocols. In contrast, others explore adjacent media ecologies of printing or photography.
Artists on show
- Anna Staritsky
- Anne Bonnet
- Behrang Karimi
- Bernd Lohaus
- Bracha L. Ettinger
- Charles-René Callewaert
- Constant Permeke
- Dala Nasser
- Daniel Turner
- Delcy Morelos
- Derek Jarman
- Edgard Tytgat
- Edith Dekyndt
- Ellen Altfest
- Esteban Fekete
- Gabriel Hartley
- Gerhard Reichert
- Hippolyte Daeye
- Isa Genzken
- Jannis Marwitz
- Kasper Bosmans
- Laurent Dupont
- Lili Dujourie
- Lin May Saeed
- Loïc Raguénès
- Maxime Prananto
- Michael van den Abeele
- Mitja Tusek
- Niele Toroni
- René Magritte
- Selma Selman
- Shervin Sheikh Rezaei
- Stanislava Kovalcikova
- Taguchi Kazuna
- Vija Celmins
- Vivian Suter
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From 30 June to 6 October 2024, Museum Dhondt-Dhaenens (MDD), Roger Raveel Museum (RRM) and the Museum of Deinze and the Lys Region (mudel) are joining forces for the 9th Biennial of Painting.
Below our feet, the Eurasian Plate is slowly shifting, while postcolonial and environmental challenges are forcing us to rethink notions of identity, class, and hierarchy.
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