AVANT DE RENTRER, IL FAUT INCENDIER LA MAISON
This exhibition focuses on the evolution of certain forms of production that are realized by the dismantling of external elements and uniting them into an internalized and intentionally conflicted whole. This activity is inherently schizophrenic and therefore results in a multifarious yet not unresolved output.
The title roughly translates to 鈥渂efore returning home you must burn down the house鈥 鈥 which could mean, among other things, that engaging with oneself one requires continual processes of disassembly in an effort to form a united, cohesive self. The linguistic shift in the exhibition鈥檚 title is representative of the passage from one state of being to another, with inevitable (and intentional) slippages in implication. Also at play are fractured, interrupted systems: disassembly/assembly, self/duality, subjectivity/influence, privacy/publicity, singularity/multiplicity. The exhibition seeks to locate itself in the fold between these states, in moments of transition and contradiction.
Kerstin Br盲tsch, Nikolas Gambaroff, Lucas Knipscher, Nick Mauss, Charles Mayton, Marie Michaels, Sean Paul, Cl茅ment Rodzielski, Nora Schultz, Valerie Snobeck
This exhibition focuses on the evolution of certain forms of production that are realized by the dismantling of external elements and uniting them into an internalized and intentionally conflicted whole. This activity is inherently schizophrenic and therefore results in a multifarious yet not unresolved output.
The title roughly translates to 鈥渂efore returning home you must burn down the house鈥 鈥 which could mean, among other things, that engaging with oneself one requires continual processes of disassembly in an effort to form a united, cohesive self. The linguistic shift in the exhibition鈥檚 title is representative of the passage from one state of being to another, with inevitable (and intentional) slippages in implication. Also at play are fractured, interrupted systems: disassembly/assembly, self/duality, subjectivity/influence, privacy/publicity, singularity/multiplicity. The exhibition seeks to locate itself in the fold between these states, in moments of transition and contradiction.
Kerstin Br盲tsch, Nikolas Gambaroff, Lucas Knipscher, Nick Mauss, Charles Mayton, Marie Michaels, Sean Paul, Cl茅ment Rodzielski, Nora Schultz, Valerie Snobeck
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