ARTISTS
American Minimal
This installation pays tribute to a passing generation of Minimalist artists, most notably Frank Stella (1936鈥�2024). Highlighting the Museum鈥檚 major Stella, Flin Flon VIII (1970), the selection includes a broad range of work from diverse media, many of which have not been on view before.
Minimalism was both an extension and a rejection of Abstract Expressionism, furthering its commitment to nonrepresentation, while also moving away from broad gestures and brushstrokes to remove any trace of the hand of the artist. With Minimalism, no attempt is made to imitate reality; rather the work presents a new reality鈥攖hat of the object as it is. The movement began in 1959 when Stella exhibited his Black Paintings at New York鈥檚 Museum of Modern Art. The crisp geometric white lines on black backgrounds of these works are repeated in the 1967 lithograph Tuxedo Park displayed here. Stella once quipped to a journalist, 鈥淲hat you see is what you see,鈥� a statement that became the movement鈥檚 unofficial motto.
By focusing on the objectives to free art from representation and to remove the historical predominance of the artist as creator, Minimalism aimed to make contemporary art more egalitarian. Its aesthetics of simplicity, repetition, order, harmony, and truth鈥攏ot trying to be other than what it is鈥攃ontinued to impact succeeding generations of artists working with industrial fabrication, sound, light, weight, and balance, as well as new materials and technologies.
In this installation James Hyde and Louise Nevelson experiment with resin and Perspex, while John Cage, Nancy Haynes, and Jay Kelly employ simple repetitive markings evocative of mathematics, music, and early computer-generated art. Artists working in Southern California as part of the related Light and Space movement, including John McCracken and DeWain Valentine, focus on perceptual phenomena and incorporate the latest technologies of local engineering and aerospace industries to develop light-filled objects. Photographs by Arnold Newman vividly document the broader Minimalist culture concurrent in the visual arts, music, and dance.
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This installation pays tribute to a passing generation of Minimalist artists, most notably Frank Stella (1936鈥�2024). Highlighting the Museum鈥檚 major Stella, Flin Flon VIII (1970), the selection includes a broad range of work from diverse media, many of which have not been on view before.
Minimalism was both an extension and a rejection of Abstract Expressionism, furthering its commitment to nonrepresentation, while also moving away from broad gestures and brushstrokes to remove any trace of the hand of the artist. With Minimalism, no attempt is made to imitate reality; rather the work presents a new reality鈥攖hat of the object as it is. The movement began in 1959 when Stella exhibited his Black Paintings at New York鈥檚 Museum of Modern Art. The crisp geometric white lines on black backgrounds of these works are repeated in the 1967 lithograph Tuxedo Park displayed here. Stella once quipped to a journalist, 鈥淲hat you see is what you see,鈥� a statement that became the movement鈥檚 unofficial motto.
By focusing on the objectives to free art from representation and to remove the historical predominance of the artist as creator, Minimalism aimed to make contemporary art more egalitarian. Its aesthetics of simplicity, repetition, order, harmony, and truth鈥攏ot trying to be other than what it is鈥攃ontinued to impact succeeding generations of artists working with industrial fabrication, sound, light, weight, and balance, as well as new materials and technologies.
In this installation James Hyde and Louise Nevelson experiment with resin and Perspex, while John Cage, Nancy Haynes, and Jay Kelly employ simple repetitive markings evocative of mathematics, music, and early computer-generated art. Artists working in Southern California as part of the related Light and Space movement, including John McCracken and DeWain Valentine, focus on perceptual phenomena and incorporate the latest technologies of local engineering and aerospace industries to develop light-filled objects. Photographs by Arnold Newman vividly document the broader Minimalist culture concurrent in the visual arts, music, and dance.
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