ARTISTS
Antony Gormley: Calling on the Body
The Lehmbruck Museum is pleased to present the most extensive exhibition of work by British sculptor Antony Gormley in Germany to date. Internationally renowed as one of the most significant and influential sculptors working today, Gormley has long expressed his admiration and interest in the works of Wilhelm Lehmbruck for their inwardness, sense of poise and calm, and their reflexive potential.
This exhibition has been conceived as a dialogue between the two artists, showcasing key works created almost a century apart. It draws parallels between Gormley and Lehmbruck, where both use the body as a site of transformation that seeks to evoke a state of being and quiet contemplation.
鈥淐alling on the Body鈥� will encompass the auratic Lehmbruck Wing and the entire museum, covering an area of 3000 square metres, with the artist鈥檚 sculptures acting as punctuation points throughout the building. It includes a selection of works spanning the breadth of Gormley鈥檚 practice; from his seminal early lead works, to the more recent Slabwork series that transform the bodyspace into architecture. One major installation will also be shown: the 300 life-size concrete bunkers of Allotment II (1996), while Drift VI, an energy field containing a body-shaped void, appears to be floating in the museum鈥榮 atrium.
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The Lehmbruck Museum is pleased to present the most extensive exhibition of work by British sculptor Antony Gormley in Germany to date. Internationally renowed as one of the most significant and influential sculptors working today, Gormley has long expressed his admiration and interest in the works of Wilhelm Lehmbruck for their inwardness, sense of poise and calm, and their reflexive potential.
This exhibition has been conceived as a dialogue between the two artists, showcasing key works created almost a century apart. It draws parallels between Gormley and Lehmbruck, where both use the body as a site of transformation that seeks to evoke a state of being and quiet contemplation.
鈥淐alling on the Body鈥� will encompass the auratic Lehmbruck Wing and the entire museum, covering an area of 3000 square metres, with the artist鈥檚 sculptures acting as punctuation points throughout the building. It includes a selection of works spanning the breadth of Gormley鈥檚 practice; from his seminal early lead works, to the more recent Slabwork series that transform the bodyspace into architecture. One major installation will also be shown: the 300 life-size concrete bunkers of Allotment II (1996), while Drift VI, an energy field containing a body-shaped void, appears to be floating in the museum鈥榮 atrium.
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