Drawn primarily from the Nasher Museum鈥檚 vast collection of prints,
Colour Correction examines a moment when artists adopted, and adapted, the screenprint technique during an extremely fertile period of experimentation and productivity in the United States and Great Britain. Coinciding with a confluence of social upheaval, political turmoil and artistic change and exchange,
Colour Correction illustrates what many art historians consider to be the 鈥済olden age鈥 of screenprinting. The exhibition includes more than 100 works by 40 artists鈹from the playful Pop art of
Andy Warhol and
Eduardo Paolozzi to the scathing political critiques of
May Stevens to the minimalist abstractions and optical exercises in visual perception by artists such as
Richard Anuszkiewicz,
William T. Williams and
Liliane Lijn.