Critical Dictionary
Gagosian is pleased to present Critical Dictionary: In homage to G. Bataille, a group exhibition that takes its title from Georges Bataille鈥檚 deconstructive text and juxtaposes artworks of different time periods and styles.
For Bataille, words and images were subject to infinite conflicts and variations, transforming according to their use and context. While his Critical Dictionary (1929鈥30) explicates terms ranging from 鈥渕aterialism鈥 to 鈥渟pittle鈥 through circuitous, free-associating paragraphs, the exhibition puts into question the hierarchies and chronologies of art history by grouping classical sculpture, postwar avant-garde painting, and key contemporary works. Focused primarily on the dialogue between sculpture and painting, the combinations reveal the ways in which proximity can confer new meaning on objects.
Gagosian is pleased to present Critical Dictionary: In homage to G. Bataille, a group exhibition that takes its title from Georges Bataille鈥檚 deconstructive text and juxtaposes artworks of different time periods and styles.
For Bataille, words and images were subject to infinite conflicts and variations, transforming according to their use and context. While his Critical Dictionary (1929鈥30) explicates terms ranging from 鈥渕aterialism鈥 to 鈥渟pittle鈥 through circuitous, free-associating paragraphs, the exhibition puts into question the hierarchies and chronologies of art history by grouping classical sculpture, postwar avant-garde painting, and key contemporary works. Focused primarily on the dialogue between sculpture and painting, the combinations reveal the ways in which proximity can confer new meaning on objects.
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