ARTISTS
Cyprien Gaillard: Nightlife
Nightlife is a 3D film shot entirely at night and over a period of two years on locations in Cleveland, Los Angeles and Berlin. The narrative examines the legacies of revolution, political resistance and resilience through the relics and ruins of modern history.
Beginning with images of Rodin鈥檚 sculpture of The Thinker, which was partially destroyed during an attack that was undertaken by a radical political group against American military action in Vietnam, the film then continues with powerful images of lush vegetation from Los Angeles, of non-native plants moving in the wind. The plants depicted were brought to the city from different parts of the world for the 1932 Olympic Games. Soon after, the image moves to an aerial view of a firework display over the Olympic Stadium in Berlin, site of the 1936 Olympic Games, organized under Germany鈥檚 Nazi regime before the Second World War.
The composition ends with a shot of an oak tree, planted by U.S. track athlete Jesse Owens, who made history at the Olympic Games in 1936 by winning four gold medals, thereby destroying the myth of Aryan supremacy. The German Olympic Committee gave athletes an oak sapling for each gold medal they won. Owens came home with four of them. One of the trees was planted at Rhodes High School, Cleveland, where he trained.
The merging of sociopolitical realities gives rise to a captivating visual narrative that unfolds into a song by Alton Ellis, one of the most significant voices in the history of Jamaican music. Two versions of the song 鈥淏lack Man鈥檚 World鈥� are played on a loop, with the refrain 鈥淚 was born a loser鈥� changing into the declaration 鈥淚 was born a winner.鈥� In addressing the ways history is constructed through mythologies, nature and political processes, the work is powerfully charged with a symbolism of power, strength and fragility of forms and ideas. It consequently becomes a metaphor for the failings of society but also a testament to resistance and rebirth.
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Nightlife is a 3D film shot entirely at night and over a period of two years on locations in Cleveland, Los Angeles and Berlin. The narrative examines the legacies of revolution, political resistance and resilience through the relics and ruins of modern history.
Beginning with images of Rodin鈥檚 sculpture of The Thinker, which was partially destroyed during an attack that was undertaken by a radical political group against American military action in Vietnam, the film then continues with powerful images of lush vegetation from Los Angeles, of non-native plants moving in the wind. The plants depicted were brought to the city from different parts of the world for the 1932 Olympic Games. Soon after, the image moves to an aerial view of a firework display over the Olympic Stadium in Berlin, site of the 1936 Olympic Games, organized under Germany鈥檚 Nazi regime before the Second World War.
The composition ends with a shot of an oak tree, planted by U.S. track athlete Jesse Owens, who made history at the Olympic Games in 1936 by winning four gold medals, thereby destroying the myth of Aryan supremacy. The German Olympic Committee gave athletes an oak sapling for each gold medal they won. Owens came home with four of them. One of the trees was planted at Rhodes High School, Cleveland, where he trained.
The merging of sociopolitical realities gives rise to a captivating visual narrative that unfolds into a song by Alton Ellis, one of the most significant voices in the history of Jamaican music. Two versions of the song 鈥淏lack Man鈥檚 World鈥� are played on a loop, with the refrain 鈥淚 was born a loser鈥� changing into the declaration 鈥淚 was born a winner.鈥� In addressing the ways history is constructed through mythologies, nature and political processes, the work is powerfully charged with a symbolism of power, strength and fragility of forms and ideas. It consequently becomes a metaphor for the failings of society but also a testament to resistance and rebirth.
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