Eyal Danieli: A Man of Parts
NYSS is pleased to present Eyal Danieli: A Man of Parts, the first survey of the late artist鈥檚 work, curated by Robert Storr. The exhibition highlights Danieli鈥檚 explorations of a series of motifs over three decades, featuring works in oil paint; drawings in ink, charcoal, and conte crayon; and prints, including monotypes, etchings, and linoleum cuts.
Eyal Danieli spent the next seven years in the United States and Canada. He came of age and was educated in Israel, where he completed his required military service in the Israel Defence Forces before embarking on his artistic training at Bezalel Academy of Arts & Design. Danieli chose to leave Israel and make his life in New York City, where he continued his art education at the New York Studio School.
As Robert Storr writes in his curatorial essay, 鈥淗e was an uncommonly brilliant thinker about the most vexed questions of cultural identity that have dominated art criticism and artistic creation in recent years, as well as a painter and draftsman wholly and unapologetically committed to his vocation.鈥
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NYSS is pleased to present Eyal Danieli: A Man of Parts, the first survey of the late artist鈥檚 work, curated by Robert Storr. The exhibition highlights Danieli鈥檚 explorations of a series of motifs over three decades, featuring works in oil paint; drawings in ink, charcoal, and conte crayon; and prints, including monotypes, etchings, and linoleum cuts.
Eyal Danieli spent the next seven years in the United States and Canada. He came of age and was educated in Israel, where he completed his required military service in the Israel Defence Forces before embarking on his artistic training at Bezalel Academy of Arts & Design. Danieli chose to leave Israel and make his life in New York City, where he continued his art education at the New York Studio School.
As Robert Storr writes in his curatorial essay, 鈥淗e was an uncommonly brilliant thinker about the most vexed questions of cultural identity that have dominated art criticism and artistic creation in recent years, as well as a painter and draftsman wholly and unapologetically committed to his vocation.鈥
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