黑料不打烊

This is the first major museum exhibition in the United States for celebrated South African artist Ezrom Legae (1938鈥�1999). After apartheid was established, many artists in South Africa contended with its corresponding oppression and bodily violence by presenting the human figure in animal form or abstracting it. This exhibition focuses on Legae鈥檚 own bestial compositions, featuring more than thirty drawings of contorted and anguished creatures, each imaginative studies and explorations of form and metaphors articulating the artist鈥檚 political consciousness. The exhibition features drawings from 1967 to 1996, foregrounding the 1970s and 1990s, each groundbreaking periods in South African political history. Amid mounting unrest and anti-apartheid protests in the 1970s, such as the Soweto uprisings, activists and civilians endured increased violence, exile, and imprisonment, often without trial and including solitary confinement. This period is considered Legae鈥檚 most prolific, in which he produced pencil, ink, and charcoal depictions of animals as covert representations of apartheid鈥檚 players and impact. The artist produced substantially less until the 1990s, when he reemerged during South Africa鈥檚 political transition with drawings addressing the end of apartheid and lingering concerns regarding racism and poverty. Legae鈥檚 beasts exemplify the ways artists use coded visual languages to subvert and endure tyranny.