Long, Winding Journeys: Contemporary Art and the Islamic Tradition
Long, Winding Journeys: Contemporary Art and the Islamic Tradition presents a focused look at a group of artists of Middle Eastern and South Asian descent whose work engages the diverse forms of Islamic visual tradition to explore religion, culture, and socio-political issues today. It takes its title from Pulitzer Prize-winning playwright Ayad Akhtar鈥檚 essay, The Breath of Miraj, a response to artist Shahzia Sikander work, Portrait of the Artist. The text speaks to the manner in which Islam and its history can inspire creative life to become a 鈥渓ong, winding journey.鈥 It simultaneously serves as a metaphor for the travel of a visual tradition through time and its ability to nimbly adapt to an ever-changing world.
Long, Winding Journeys brings artists鈥 voices to the fore as they mine links between the seemingly distant past and contemporary experience. The works in the exhibition draw from centuries-old forms鈥攕uch as calligraphy, miniature painting, geometric patterning, textiles, and architecture鈥攖hat have come to define historical Islamic art. Employing this lineage, the artists explore the intersection of visual traditions and other kinds of inherited histories: the rich meaning and complex constraints of religious and cultural customs; rituals of spiritual practice; political upheaval and violent conflict; and diaspora鈥檚 effect on identity and belonging. Art of the past acts as a lens through which to view present-day experience.
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Long, Winding Journeys: Contemporary Art and the Islamic Tradition presents a focused look at a group of artists of Middle Eastern and South Asian descent whose work engages the diverse forms of Islamic visual tradition to explore religion, culture, and socio-political issues today. It takes its title from Pulitzer Prize-winning playwright Ayad Akhtar鈥檚 essay, The Breath of Miraj, a response to artist Shahzia Sikander work, Portrait of the Artist. The text speaks to the manner in which Islam and its history can inspire creative life to become a 鈥渓ong, winding journey.鈥 It simultaneously serves as a metaphor for the travel of a visual tradition through time and its ability to nimbly adapt to an ever-changing world.
Long, Winding Journeys brings artists鈥 voices to the fore as they mine links between the seemingly distant past and contemporary experience. The works in the exhibition draw from centuries-old forms鈥攕uch as calligraphy, miniature painting, geometric patterning, textiles, and architecture鈥攖hat have come to define historical Islamic art. Employing this lineage, the artists explore the intersection of visual traditions and other kinds of inherited histories: the rich meaning and complex constraints of religious and cultural customs; rituals of spiritual practice; political upheaval and violent conflict; and diaspora鈥檚 effect on identity and belonging. Art of the past acts as a lens through which to view present-day experience.
Artists on show
- Afruz Amighi
- Ala Ebtekar
- Ammar Al Attar
- Anila Quayyum Agha
- Babak Golkar
- Baseera Khan
- Faig Ahmed
- Fereydoun Ave
- Ghada Amer
- Hadieh Shafie
- Hassan Massoudy
- Hayv Kahraman
- Imran Qureshi
- Jordan Nassar
- Khadim Ali
- Kurosh ValaNejad
- Mona Hatoum
- Monir Shahroudy Farmanfarmaian
- Nasser Al Salem
- Nazgol Ansarinia
- Noor Ali Chagani
- Peter Brinson
- Pouran Jinchi
- Shadi Ghadirian
- Shahzia Sikander
- Shirazeh Houshiary
- Shirin Neshat
- Shiva Ahmadi
- Shoja Azari
- Susan Hefuna