Minimalism: Now/Then/Again
Works in this installation, which includes Frank Stella鈥檚 iconic painting from his Irregular Polygon Series (mid-1960s), Richard Tuttle鈥檚 eccentric and poetic drawings (mid-1970s), Haim Steinbach鈥檚 mixed-media assemblage (1986), and Lucky DeBellevue鈥檚 awkwardly elegant chenille stem sculpture (1994), explore the relationship of the viewer - 鈥渢he body鈥 (in art historical terms) -- to the work of art and the space they both 鈥渋nhabit.鈥 Examining the manifestations of the Minimalist aesthetic since the 1960s will offer a renewed appreciation of its importance and relevance to the story of the transformative power of contemporary art.
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Works in this installation, which includes Frank Stella鈥檚 iconic painting from his Irregular Polygon Series (mid-1960s), Richard Tuttle鈥檚 eccentric and poetic drawings (mid-1970s), Haim Steinbach鈥檚 mixed-media assemblage (1986), and Lucky DeBellevue鈥檚 awkwardly elegant chenille stem sculpture (1994), explore the relationship of the viewer - 鈥渢he body鈥 (in art historical terms) -- to the work of art and the space they both 鈥渋nhabit.鈥 Examining the manifestations of the Minimalist aesthetic since the 1960s will offer a renewed appreciation of its importance and relevance to the story of the transformative power of contemporary art.