Night Begins the Day: Rethinking Space, Time, and Beauty
In the eighteenth century, the concept of the sublime became very influential among painters and poets due to an increasing interest in the aesthetics of science. Expanding global exploration made people astutely aware of the enormous scale and splendor of the planet鈥檚 wild places, and astronomy was revealing the staggering immensity of the universe. The result was a combination of awe and fear鈥攁we at the majesty and beauty of creation, and fear of human frailty, mortality, and insignificance in the light of the vastness of the cosmos. This response itself became a point of interest: how do we existentially resolve our psychology and spirituality with this new information?
Taking the title from the biblical concept that, 鈥渢he day goes after the night,鈥 (Gen 1:5) at the time of creation, Night Begins the Day is an exhibition featuring the work of twenty-seven artists, scientists, and creative thinkers that, in this current moment of expansion through scientific development, look at three aspects of contemporary art that can be seen as emerging from the historic precedent of the sublime: technological innovation; new understandings of time; and new expressions of awe and fear that have emerged from contemporary irony and cultural critique.
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In the eighteenth century, the concept of the sublime became very influential among painters and poets due to an increasing interest in the aesthetics of science. Expanding global exploration made people astutely aware of the enormous scale and splendor of the planet鈥檚 wild places, and astronomy was revealing the staggering immensity of the universe. The result was a combination of awe and fear鈥攁we at the majesty and beauty of creation, and fear of human frailty, mortality, and insignificance in the light of the vastness of the cosmos. This response itself became a point of interest: how do we existentially resolve our psychology and spirituality with this new information?
Taking the title from the biblical concept that, 鈥渢he day goes after the night,鈥 (Gen 1:5) at the time of creation, Night Begins the Day is an exhibition featuring the work of twenty-seven artists, scientists, and creative thinkers that, in this current moment of expansion through scientific development, look at three aspects of contemporary art that can be seen as emerging from the historic precedent of the sublime: technological innovation; new understandings of time; and new expressions of awe and fear that have emerged from contemporary irony and cultural critique.