ARTISTS
Noemie Goudal
Edel Assanti is pleased to present an exhibition of new work by No茅mie Goudal, including her Observatoires series, created for the artist's first UK museum exhibition currently on show at the New Art Gallery Walsall.
An investigation into mankind's evolving relationship with the natural world has always been a central focus of Goudal's practice. In this new body of work, Goudal undertakes a cross-cultural, historical examination of geomorphic architecture, progressing her exploration of the boundaries between artifice and organic, the real and the imagined.
Goudal's new work continues her implementation of installations and interventions within the landscapes in which her photographs are staged. In an unprecedented approach, she inserts imagined architectural constructions, in the form of her characteristic large-scale photographic backdrops. Whereas previously Goudal's interventions provided windows onto untouched natural landscapes, here they portray segments of sites of ambiguous historic or spiritual significance, meticulously embedded within barren natural landscapes and disenfranchised industrial spaces.
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Edel Assanti is pleased to present an exhibition of new work by No茅mie Goudal, including her Observatoires series, created for the artist's first UK museum exhibition currently on show at the New Art Gallery Walsall.
An investigation into mankind's evolving relationship with the natural world has always been a central focus of Goudal's practice. In this new body of work, Goudal undertakes a cross-cultural, historical examination of geomorphic architecture, progressing her exploration of the boundaries between artifice and organic, the real and the imagined.
Goudal's new work continues her implementation of installations and interventions within the landscapes in which her photographs are staged. In an unprecedented approach, she inserts imagined architectural constructions, in the form of her characteristic large-scale photographic backdrops. Whereas previously Goudal's interventions provided windows onto untouched natural landscapes, here they portray segments of sites of ambiguous historic or spiritual significance, meticulously embedded within barren natural landscapes and disenfranchised industrial spaces.
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