ARTISTS
ONSMITH+NUDD: metaphysical meatloaf
Western Exhibitions is curdled with quivering anticipation to present a survey of prints, zines, illustrations, sacs and ephemera by ONSMITH + NUDD, a collaboration initiated by the cartoonist Onsmith and artist Paul Nudd in 2008. The show opens with a free public reception from 5 to 8pm on Friday, March 18 and will run through April 30.
The collaborative work of Onsmith & Nudd tightens the cleavage between the seemingly disparate worlds of underground comics and contemporary painting. Onsmith & Nudd reject the notion that these approaches to making things differ in any meaningful way, instead opting for a strategy that focuses on an end product that resembles, above all other things, an artificially-thickened quasi-cultural pure茅. Everything they plumb from the depths of the diseased and impacted Western cultural colon-womb, from films of questionable artistic merit to 鈥渕etaphysical German meatloaf鈥�(1), becomes fodder for their cartoon-heavy narrative and figurative conglomerations. Onsmith the cartoonist, a documentarian of modern isolation and purveyor of grim humor, and Nudd the painter of gunk, pox and plasmic filth, have sculpted out of beef-clay a body of work that autonomously bottles and sells its own pungent nectars. The proof, as well as all of the hairs, toenails, and used band-aids, resides in the vats of pudding that comprise this retrospective style exhibition.
The visual cornucopia that the artists refer to as Onsmith Dog Stew & Monkey Nudd Wine consists of more than a few of their favorite things: banana splits, fishing lures, misshapen faces, horse flies, totem poles, spots, battered heads, and beehives, and comes in a variety of different forms: silkscreened prints, lithographs, collage, drawings and sketchbook pages, relief prints, postcards, studio detritus, commissioned illustrations, koozies, and zines. This exhibit contains pretty much everything they have ever made.
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Western Exhibitions is curdled with quivering anticipation to present a survey of prints, zines, illustrations, sacs and ephemera by ONSMITH + NUDD, a collaboration initiated by the cartoonist Onsmith and artist Paul Nudd in 2008. The show opens with a free public reception from 5 to 8pm on Friday, March 18 and will run through April 30.
The collaborative work of Onsmith & Nudd tightens the cleavage between the seemingly disparate worlds of underground comics and contemporary painting. Onsmith & Nudd reject the notion that these approaches to making things differ in any meaningful way, instead opting for a strategy that focuses on an end product that resembles, above all other things, an artificially-thickened quasi-cultural pure茅. Everything they plumb from the depths of the diseased and impacted Western cultural colon-womb, from films of questionable artistic merit to 鈥渕etaphysical German meatloaf鈥�(1), becomes fodder for their cartoon-heavy narrative and figurative conglomerations. Onsmith the cartoonist, a documentarian of modern isolation and purveyor of grim humor, and Nudd the painter of gunk, pox and plasmic filth, have sculpted out of beef-clay a body of work that autonomously bottles and sells its own pungent nectars. The proof, as well as all of the hairs, toenails, and used band-aids, resides in the vats of pudding that comprise this retrospective style exhibition.
The visual cornucopia that the artists refer to as Onsmith Dog Stew & Monkey Nudd Wine consists of more than a few of their favorite things: banana splits, fishing lures, misshapen faces, horse flies, totem poles, spots, battered heads, and beehives, and comes in a variety of different forms: silkscreened prints, lithographs, collage, drawings and sketchbook pages, relief prints, postcards, studio detritus, commissioned illustrations, koozies, and zines. This exhibit contains pretty much everything they have ever made.
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