ARTISTS
Painting with Method: Neoavantgarde Positions from the mumok Collection
The Neoavantgarde of the 1960s and 1970s is characterized by its radical breaks with tradition, by redefinitions of creative approaches and artistic media. The emergence of media-based art and the link between the theory and practice of art, in turn, led to innovative forms of painting. The general tendency to abandon figurative, or gestural-abstract painting went hand in hand with the emergence of focused, formal and configured work structures referencing the general conditions of image and painting, as well as links to new art forms and media. By means of selected works from the collection, the mumok exhibits various developmental lines in this painting.
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The Neoavantgarde of the 1960s and 1970s is characterized by its radical breaks with tradition, by redefinitions of creative approaches and artistic media. The emergence of media-based art and the link between the theory and practice of art, in turn, led to innovative forms of painting. The general tendency to abandon figurative, or gestural-abstract painting went hand in hand with the emergence of focused, formal and configured work structures referencing the general conditions of image and painting, as well as links to new art forms and media. By means of selected works from the collection, the mumok exhibits various developmental lines in this painting.
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The art of the 1960s and 1970s was characterized by radical breaks with tradition and redefinitions of form and artistic media.
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