Plane Figures
THE MISSION is pleased to announce Plane Figures, a group exhibition featuring paintings by Natalia Cacchiarelli (Buenos Aires, Argentina), Jean Alexander Frater (Chicago, IL), Cole Pierce (Chicago, IL), and Michelle Prazak (Lima, Peru).
There are many familiar abstractions: monochrome, cubist, color-field, geometric, expressionist. The early evolution of these forms was often described as a flight from the concrete image, freeing painting from Malevich鈥檚 鈥渄ead weight of the real world鈥 into a universal, even spiritual, experience of shape and color. Conversely, the relevance of these modes to a contemporary generation of painters is often referred to in the very material language of the body and the body鈥檚 relationship to this previously forsaken space of the real world. In Plane Figures, artists working in Argentina, Peru, and Chicago are brought together by a shared interest in abstraction as a phenomenological, first-person experience of painting鈥檚 two-dimensional plane. Cacchiarelli, Frater, Pierce, and Prazak are each committed to the figure of the viewer, and the capacity of painting to renew or rearrange her perception in essential ways.
In a selection of works that engage the history of geometric abstraction and op art, the artists boldly manipulate or violate the conventions of these styles in visceral ways. Triangles, grids, cubes, and patterns appear and are deformed by imperfect geometries, rhythmic color-modulation, and gestural or accidental marks. These artists variously assert the relativity of vision and the representational, rather than non-objective, impact of planar figures.
THE MISSION is pleased to announce Plane Figures, a group exhibition featuring paintings by Natalia Cacchiarelli (Buenos Aires, Argentina), Jean Alexander Frater (Chicago, IL), Cole Pierce (Chicago, IL), and Michelle Prazak (Lima, Peru).
There are many familiar abstractions: monochrome, cubist, color-field, geometric, expressionist. The early evolution of these forms was often described as a flight from the concrete image, freeing painting from Malevich鈥檚 鈥渄ead weight of the real world鈥 into a universal, even spiritual, experience of shape and color. Conversely, the relevance of these modes to a contemporary generation of painters is often referred to in the very material language of the body and the body鈥檚 relationship to this previously forsaken space of the real world. In Plane Figures, artists working in Argentina, Peru, and Chicago are brought together by a shared interest in abstraction as a phenomenological, first-person experience of painting鈥檚 two-dimensional plane. Cacchiarelli, Frater, Pierce, and Prazak are each committed to the figure of the viewer, and the capacity of painting to renew or rearrange her perception in essential ways.
In a selection of works that engage the history of geometric abstraction and op art, the artists boldly manipulate or violate the conventions of these styles in visceral ways. Triangles, grids, cubes, and patterns appear and are deformed by imperfect geometries, rhythmic color-modulation, and gestural or accidental marks. These artists variously assert the relativity of vision and the representational, rather than non-objective, impact of planar figures.
Artists on show
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