Secundino Hern谩ndez is known for his expressive paintings, deriving from the premise of figurative expression and containing references to Francis Picabia and Joan Mir贸, amongst other surrealists. In his latest body of work history, however, appears fragmented, its components concealed or scattered. Splinters of colour, layers of primer folding on the canvas, the fabric laid bare, Hern谩ndez explores the destruction of painting. Radiating fascination with the creative process, Hern谩ndez鈥檚 work grounds the visual power of painting firmly in the present.