Social Photography X
Presented against the backdrop of the twin meltdowns of a social media platform and a cryptocurrency, this 10th anniversary show of Social Photography comes at a time when the progressive reputation enjoyed by the tech industry might warrant some skepticism. While a neo-robber baron browbeats his newly acquired workforce into submission or exile, ostensibly for the good of a 鈥渄igital town square鈥, in the same week a financial guru, after evaporating billions in investor funds almost overnight, shrugs off the staggering losses with a sheepish, "I鈥檓 sorry".
Propped up by fawning news stories that celebrate novelty and personality over reason or logic, the insidious effect of the world wrought by the anointed power brokers of tech dictates as much of our behavior as we鈥檒l allow. Embracing consumer friendly devices that subject us to behavioral experiments and perpetual tracking, our 鈥渄igital exhaust鈥, largely invisible to us, is magically turned to gold by legions of tech workers guided by the speculative bets of tech entrepreneurs.
Begun before most cell phones in use were considered 鈥渟mart鈥, the first Social Photography show took place more or less at the inception of visual information as fodder for the experience economy. In late 2010, with cell phone pictures little more than a novelty stored within the limited technological capacity of flip phones, the gargantuan image mill of Instagram had yet to kick into full gear. Searching for an alternative to the benefit raffle exhibition which asks time and materials in the form of donated artworks from artists while offering little in the way of a collective aesthetic, Carriage Trade solicited a couple of hundred cell phone pictures from its community of artists, writers, curators, students, and neighbors, formatting and printing them and presenting the whole in a grid, with proceeds from sales going to support the gallery鈥檚 non-commercial mission.
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Presented against the backdrop of the twin meltdowns of a social media platform and a cryptocurrency, this 10th anniversary show of Social Photography comes at a time when the progressive reputation enjoyed by the tech industry might warrant some skepticism. While a neo-robber baron browbeats his newly acquired workforce into submission or exile, ostensibly for the good of a 鈥渄igital town square鈥, in the same week a financial guru, after evaporating billions in investor funds almost overnight, shrugs off the staggering losses with a sheepish, "I鈥檓 sorry".
Propped up by fawning news stories that celebrate novelty and personality over reason or logic, the insidious effect of the world wrought by the anointed power brokers of tech dictates as much of our behavior as we鈥檒l allow. Embracing consumer friendly devices that subject us to behavioral experiments and perpetual tracking, our 鈥渄igital exhaust鈥, largely invisible to us, is magically turned to gold by legions of tech workers guided by the speculative bets of tech entrepreneurs.
Begun before most cell phones in use were considered 鈥渟mart鈥, the first Social Photography show took place more or less at the inception of visual information as fodder for the experience economy. In late 2010, with cell phone pictures little more than a novelty stored within the limited technological capacity of flip phones, the gargantuan image mill of Instagram had yet to kick into full gear. Searching for an alternative to the benefit raffle exhibition which asks time and materials in the form of donated artworks from artists while offering little in the way of a collective aesthetic, Carriage Trade solicited a couple of hundred cell phone pictures from its community of artists, writers, curators, students, and neighbors, formatting and printing them and presenting the whole in a grid, with proceeds from sales going to support the gallery鈥檚 non-commercial mission.
Artists on show
- Adam Simon
- Alec Snow
- Alex Hutton
- Alexandra Lerman
- Ali Van
- Amy Ben-Ezra
- Andrea Frank
- Andrew Ginzel
- Anne Katrine Senstad
- Anthony Hawley
- Antoine Catala
- Ashley Garrett
- Aura Rosenberg
- B. Wurtz
- Barbara Gundlach
- Barbara Weissberger
- Barnett Cohen
- Ben Kinmont
- Betty Roytburd
- Brigid Kennedy
- Bryn Jayes
- Calvin Reid
- Carol Szymanski
- Claudia Sohrens
- Craig Kalpakjian
- CYJO
- Dan Torop
- Daniel Walworth
- Daniella Dooling
- David Baskin
- David Winter
- Day Sinclair
- Dennis Adams
- Diane Nerwen
- Eli Coplan
- Elvia Wilk
- Emergency Eyewash
- Emily Roz
- Esperanza Mayobre
- Ethan Greenbaum
- Francisco Correa
- Fred Cray
- Furen Dai
- Gary Schneider
- Gary Stephan
- Gelah Penn
- Graham Anderson
- Gwenn Thomas
- H. Spencer Young
- Hannah Park
- Heidi Schlatter
- Ho Tam
- James Bradley
- James Welling
- Janice Sloane
- Jason Simon
- Jeanne Liotta
- Jeff Gibson
- Jeff Preiss
- Jeffrey Schiff
- Jenna Bliss
- Jennifer Bolande
- Jeri Coppola
- Jody Culkin
- John Opera
- John Schabel
- Judith Luongo
- Julia Scher
- Julia Wachtel
- Julien Bismuth
- Justen Ladda
- Karl Holmqvist
- Kathleen Goncharov
- Keith Sanborn
- Laura Hunt
- Laura Parnes
- Leah Singer
- Lee Ranaldo
- Liam Gillick
- Lisa Blas
- Liselot van der Heijden
- Lorin Roser
- Lotte Van den Audenaeren
- Louise Lawler
- Marc Ganzglass
- Margia Kramer
- Marshall Reese
- Matias Anon
- Matt Connors
- Max Warsh
- Mengfan Bai
- Michael Robinson
- Michael Zansky
- Michelle Grabner
- Mie Yim
- Momoyo Torimitsu
- Neil Jenney
- Nicholas Knight
- Nina Kuo
- Nora Ligorano
- Paul Druecke
- Paul McMahon
- Peggy Ahwesh
- Peter Fend
- Philip Vanderhyden
- R.H. Quaytman
- Rachel C. Allen
- Rainer Ganahl
- Raphaele Shirley
- Reilly Davidson
- Richard Bosman
- Robert Brush
- Robert Goldman
- Scott Williams
- Shelly Silver
- Shirley Irons
- Steel Stillman
- Stephan Pascher
- Stephen Lack
- Susan Grayson
- Suzanne Joelson
- Teri Slotkin
- The Yes Men
- Tim Maul
- Tom McGlynn
- Tony Oursler
- Tracy Grayson
- Udomsak Krisanamis
- Victoria Campbell
- Walter Robinson
- Werner Kaligofsky
- Yuki Higashino