黑料不打烊

Coming this fall, The Cold Gaze: Germany in the 1920s is a lavish exhibition about the remarkable movement in German art and culture known as New Objectivity. Moreover, an 鈥渆xhibition within the exhibition鈥� will present the work of the German photographer August Sander from the same period. 600 works and documents by 90-plus artists will occupy Louisiana鈥檚 South Wing for the first major exhibition ever in Denmark about art and culture in 1920s Germany. In addition to painting, drawing and photography, the exhibition will feature architecture, design, film, theatre, literature and music in a sweeping multidisciplinary panorama of the compelling cultural production of the Weimar Republic.

At the heart of the exhibition is New Objectivity (Neue Sachlichkeit), the striking art movement of the period, known for its sober realism, biting satire and clinical gaze. In addition, we present an extensive special look at the German photographer August Sander (1876-1964) and his pioneering documentary 鈥済roup portrait鈥� of modern people.

In the aftermath of World War I, Germany goes through a turbulent period of deep poverty and political unrest concurrent with the brief flourishing of democracy during the Weimar Republic (1918-1933), before the culture of freedom is snuffed out with the Nazis鈥� rise to power in 1933. This exhibition charts the outlines of the rich and broadly unfolding cultural life of the years between the two world wars.

In thematic, interdisciplinary chapters, the movement New Objectivity is explored as an artistic concept in a society marked by tumultuous upheaval and clashing forces 鈥� social, political and economical. To capture their times, the artists of the movement represented the workaday lives of ordinary people in a realistic, sober style stripped of sentiment and often with a high level of detail.

Life in the big city, modern, functionalist architecture, rapid industrialization and technical advances, feverish nightlife with cabarets and night clubs, sexual liberation, promiscuity and prostitution, alongside socially critical depictions of the tough living conditions of the working class, the new role of women and the decadent lifestyle of the upper class 鈥� all are central themes and subjects explored in this exhibition across artistic expressions, illuminated by a wealth of historical documentation.

An exhibition within the exhibition showcases a rich selection from People of the 20th Century, the life鈥檚 work of the German photographer August Sander (1876-1964). Starting in 1919 with the ambition to create an encyclopaedic and comparative documentation, Sander photographs anonymous Germans from all walks of life in a simple and sober manner, presenting distinct 鈥渢ypes鈥� while allowing the unique character of each individual to shine. As a whole, this monumental image-atlas of more than 600 black and white photographs is a unique group portrait of German society during the Weimar Republic and a classic in the history of European art and photography.