The Polaroid Project
Polaroid! The brand has long become a universal myth. The uses Polaroid initiated still inspire our everyday photography—as a quick check on Instagram suggests. For the first time the exhibition explores the Polaroid phenomenon at the intersection of art and technology in its full scope. Outstanding artists—from Ansel Adams to Andy Warhol—seized the medium of instant photography to strike new paths and came to define the aesthetics of an era. The Polaroid Project combines their unique creations with ground-breaking technology—camera specimen, concept studies and prototypes—which made this visual revolution possible in the first place. Vienna, which since 2010 is the new home of the International Polaroid Collection thanks to the initiative of WestLicht founder Peter Coeln, is the first stop of the exhibition in Europe.
The exhibition presents some 200 Polaroids by nearly 100 photographers, from the Corporation’s beginnings until today, focusing on the second half of the twentieth century. Along with these one-of-a-kind pictures in their characteristic formats—ranging from the well-known SX-70 snapshot with its large frame (8.8×10.7 cm) to the fascinatingly detailed 20×24-inch large format (50×60 cm)—the exhibition’s emphasis on instant-photography technology demonstrates that the creativity of the company’s founder, Edwin Land, and his team was on par with that of the artists themselves. Before the company missed the boat on the digital evolution, Polaroid was synonymous with visionary technology, comparable to the status of Apple at the start of the new millennium. It’s hardly a coincidence that Steve Jobs was one of the biggest admirers of Edwin Land and his inventions.
Today, the Polaroid phenomenon is more popular than ever, especially with the younger generation, as a unique, analog alternative to the onslaught of digital images. A venerable brand like Leica recently launched its first instant camera. And The Impossible Project, which revived the instant image process after Polaroid went bankrupt, is now trading under the legendary name, albeit in fresh garb: Polaroid Originals—with new film stock and a new camera in tow.
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Polaroid! The brand has long become a universal myth. The uses Polaroid initiated still inspire our everyday photography—as a quick check on Instagram suggests. For the first time the exhibition explores the Polaroid phenomenon at the intersection of art and technology in its full scope. Outstanding artists—from Ansel Adams to Andy Warhol—seized the medium of instant photography to strike new paths and came to define the aesthetics of an era. The Polaroid Project combines their unique creations with ground-breaking technology—camera specimen, concept studies and prototypes—which made this visual revolution possible in the first place. Vienna, which since 2010 is the new home of the International Polaroid Collection thanks to the initiative of WestLicht founder Peter Coeln, is the first stop of the exhibition in Europe.
The exhibition presents some 200 Polaroids by nearly 100 photographers, from the Corporation’s beginnings until today, focusing on the second half of the twentieth century. Along with these one-of-a-kind pictures in their characteristic formats—ranging from the well-known SX-70 snapshot with its large frame (8.8×10.7 cm) to the fascinatingly detailed 20×24-inch large format (50×60 cm)—the exhibition’s emphasis on instant-photography technology demonstrates that the creativity of the company’s founder, Edwin Land, and his team was on par with that of the artists themselves. Before the company missed the boat on the digital evolution, Polaroid was synonymous with visionary technology, comparable to the status of Apple at the start of the new millennium. It’s hardly a coincidence that Steve Jobs was one of the biggest admirers of Edwin Land and his inventions.
Today, the Polaroid phenomenon is more popular than ever, especially with the younger generation, as a unique, analog alternative to the onslaught of digital images. A venerable brand like Leica recently launched its first instant camera. And The Impossible Project, which revived the instant image process after Polaroid went bankrupt, is now trading under the legendary name, albeit in fresh garb: Polaroid Originals—with new film stock and a new camera in tow.
Artists on show
- Anna & Bernhard Blume
- Barbara Crane
- Barbara Kasten
- Chuck Close
- David Hockney
- David Levinthal
- Ellen Carey
- Erwin Wurm
- Fazal Sheikh
- Gottfried Helnwein
- Guy Bourdin
- Helen Chadwick
- Jan Hnizdo
- Joan Fontcuberta
- Lucas Samaras
- Luigi Ghirri
- Marie Cosindas
- Nobuyoshi Araki
- Philip-Lorca diCorcia
- Robert Heinecken
- Robert Mapplethorpe
- Robert Rauschenberg
- Sibylle Bergemann
- Toto Frima
- Ulrich Mack
- William Wegman