Time Travel. Italian Masters through a Contemporary Lens
Petzel is pleased to present Time Travel: Italian Masters through a Contemporary Lens, on view from November 15th, 2023 through January 27th, 2024, at Petzel鈥檚 Upper East Side location, 35 East 67th Street. In partnership with the London-based DYS 44 Lampronti Gallery, Time Travel surveys exemplary works from the 16th to the 19th century, exhibited on the gallery鈥檚 parlor floor from November 15th. In addition, a selection of works in response from contemporary artists will be on view on the gallery鈥檚 third floor from November 15th to December 22nd.
In approaching these Italian Master works, the viewer encounters a distinct symbolic vocabulary, setting myth in motion, like a portal to another world. The boundary between real and imaginary space becomes blurred. The open wooden doors of Domenico Remps鈥 Cabinet of Curiosities tease the onlooker in hallmark trompe l鈥櫯搃l fashion. Grounding real monuments in fantastical landscapes, the ruins of Giovanni Paolo Panini鈥檚 capriccio gesture toward an apostolic past, with fragments of Classical sculpture scattered among magisterial columns. Ancient topographies emerge from painted bodies, as in Cavalier d鈥橝rpino鈥檚 Fortuna with Two Tritons, in which the curved canyons of the goddess鈥 back are defined in sloped, tonal gradations. Viewer turns voyeur stumbling upon van Honthorst鈥檚 seduction scene, the subjects clothed in rich, chromatic contrast, a game of light and dark against a table set with vanitas.
Beyond virtuosity, beyond moralism, lies a sensual dynamism, a cinematographic drama, which continues to draw audiences to these paintings centuries from their conception. Hollywood- esque in its emotional exuberance, the Baroque brings forth a sense of movement and tension, an oscillation between the sacred and profane, bursting from the canvas鈥 delicate surface. Through the act of looking, figures, objects and landscapes become so vivid as if to extend into a third dimension, speaking from periods past.
In their response, a group of contemporary artists offer works in dialogue with these predecessors, considering the legacies of their genres and lexicons. Across a variety of means, these artists channel the energetic, grandiose ethos of the Baroque into their painterly compositions, situating these narrative sensibilities in modern contexts. These works both investigate and develop the formal language of the 鈥渕asters,鈥 providing a forum to map these stylized, highly constructed narratives onto our present moment. Time Travel stages a conversation with the past, one that revitalizes our comprehension of how intellectual conflicts have motivated artists through the ages.
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Petzel is pleased to present Time Travel: Italian Masters through a Contemporary Lens, on view from November 15th, 2023 through January 27th, 2024, at Petzel鈥檚 Upper East Side location, 35 East 67th Street. In partnership with the London-based DYS 44 Lampronti Gallery, Time Travel surveys exemplary works from the 16th to the 19th century, exhibited on the gallery鈥檚 parlor floor from November 15th. In addition, a selection of works in response from contemporary artists will be on view on the gallery鈥檚 third floor from November 15th to December 22nd.
In approaching these Italian Master works, the viewer encounters a distinct symbolic vocabulary, setting myth in motion, like a portal to another world. The boundary between real and imaginary space becomes blurred. The open wooden doors of Domenico Remps鈥 Cabinet of Curiosities tease the onlooker in hallmark trompe l鈥櫯搃l fashion. Grounding real monuments in fantastical landscapes, the ruins of Giovanni Paolo Panini鈥檚 capriccio gesture toward an apostolic past, with fragments of Classical sculpture scattered among magisterial columns. Ancient topographies emerge from painted bodies, as in Cavalier d鈥橝rpino鈥檚 Fortuna with Two Tritons, in which the curved canyons of the goddess鈥 back are defined in sloped, tonal gradations. Viewer turns voyeur stumbling upon van Honthorst鈥檚 seduction scene, the subjects clothed in rich, chromatic contrast, a game of light and dark against a table set with vanitas.
Beyond virtuosity, beyond moralism, lies a sensual dynamism, a cinematographic drama, which continues to draw audiences to these paintings centuries from their conception. Hollywood- esque in its emotional exuberance, the Baroque brings forth a sense of movement and tension, an oscillation between the sacred and profane, bursting from the canvas鈥 delicate surface. Through the act of looking, figures, objects and landscapes become so vivid as if to extend into a third dimension, speaking from periods past.
In their response, a group of contemporary artists offer works in dialogue with these predecessors, considering the legacies of their genres and lexicons. Across a variety of means, these artists channel the energetic, grandiose ethos of the Baroque into their painterly compositions, situating these narrative sensibilities in modern contexts. These works both investigate and develop the formal language of the 鈥渕asters,鈥 providing a forum to map these stylized, highly constructed narratives onto our present moment. Time Travel stages a conversation with the past, one that revitalizes our comprehension of how intellectual conflicts have motivated artists through the ages.
Artists on show
- Andrea Dominico Remps
- Annibale Carracci
- Antiveduto Grammatica
- Antonio Joli de Dipi
- Antonio Maria Vassallo
- Artemisia Gentileschi
- Bartolomeo Cavarozzi
- Bernardo Cavallino
- Bob Thompson
- Canaletto
- Carlo Bonavia
- Cindy Sherman
- Emily Mae Smith
- Emma Webster
- Fede Galizia
- Gaspar van Wittel
- Gerrit van Honthorst
- Giovanni Paolo Pannini
- Giuseppe Cesari
- Guido Canlassi Cagnacci
- Il Guercino
- Ippolito Caffi
- Jacopo Fabris
- Jeff Koons
- Johann Liss
- John Currin
- Josephine Halvorson
- Jusepe de Ribera
- Jutta Koether
- Luca Forte
- Lucy McKenzie
- Master of the Hartford Still-Life
- Michelangelo Cerquozzi
- Pieter Schoolwerth
- Pietro Paolini
- Roe Ethridge
- Ross Bleckner
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鈥淭ime Travel: Italian Masters Through a Contemporary Lens,鈥 a group exhibition that featured a selection of Renaissance paintings alongside works created by present-day artists.