Wings of a Butterfly
The starting point for the exhibition is Pierre Bonnard鈥檚 final diary entry, written in 1946, shortly before his death in January 1947:
鈥淚 should like to present myself to the young painters of the year 2000 with the wings of a butterfly鈥.
All of the invited artists have thought about Bonnard in different ways, perhaps using his work a little, or at least thinking about it in relation to their own, though what they do with those thoughts is very different. It鈥檚 a question of spirit, rather than influence, conjuring a collective mood and with a connective thread it is something to do with what Andrew Cranston has described as Bonnard鈥檚 鈥榥ervy hesitancy鈥:
鈥淚 love his doubt which is visible on the canvas鈥 this keeps an openness and some work for the viewer to do鈥, words which echo Bonnard鈥檚 own declaration that 鈥渢he painting will not exist if the viewer does not do half the work.鈥
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The starting point for the exhibition is Pierre Bonnard鈥檚 final diary entry, written in 1946, shortly before his death in January 1947:
鈥淚 should like to present myself to the young painters of the year 2000 with the wings of a butterfly鈥.
All of the invited artists have thought about Bonnard in different ways, perhaps using his work a little, or at least thinking about it in relation to their own, though what they do with those thoughts is very different. It鈥檚 a question of spirit, rather than influence, conjuring a collective mood and with a connective thread it is something to do with what Andrew Cranston has described as Bonnard鈥檚 鈥榥ervy hesitancy鈥:
鈥淚 love his doubt which is visible on the canvas鈥 this keeps an openness and some work for the viewer to do鈥, words which echo Bonnard鈥檚 own declaration that 鈥渢he painting will not exist if the viewer does not do half the work.鈥
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