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Bureau opened its doors fifteen years ago, but the doors were already open.
In The Performance (all works 2025), one of three large-scale sculptures in Lionel Maunz鈥檚 鈥淥bedience,鈥 his seventh solo exhibition here, a stagelike platform displayed a humanoid male made from polymer-modified gypsum, fiberglass, urethane resin and epoxy clay.
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