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In the early 1980s, postcolonial theorist Homi Bhabha coined the term 鈥渇ixity鈥 to describe the motifs and symbols visual discourse has used to craft harmful stereotypes and establish the 鈥渄ifference鈥 of minoritized communities.
A new mural by Macon Reed invites us to consider subjects that are 鈥渙ther,鈥 and to whom we don鈥檛 have full access with our gaze.