ºÚÁϲ»´òìÈ

Frieze House Seoul marks a natural and exciting evolution of our presence in Korea.

The 21st Century Museum of Contemporary Art, Kanazawa recently celebrated two decades of expansion marked by a narrowly focused curatorial vision shaped by both place and taste.

As January ushers in the crisp air of a new year, Cineteca Madrid becomes a vibrant canvas where cinema intertwines seamlessly with architecture, dreams, and even legendary monsters.

The construction of Saadiyat Cultural District is due to be completed, while the Studio Museum in Harlem will unveil its new 82,000 sq. ft building.

One of the most significant and anticipated architectural and cultural developments in Australia, SANAA’s new building for the Art Gallery of New South Wales, opened to the public in December 2022.

For a long time, I’ve been fascinated by Naoshima, a small island in Japan’s Seto Inland Sea.

On December 3, Australia’s Art Gallery of New South Wales unveils its latest expansion, the Sydney Modern Project, designed by the Pritzker Prize–winning architects SANAA.

An exciting new era in the cultural life of Australia begins this Saturday 3 December, as the Art Gallery of New South Wales’ new building opens with over 15,000 people already registered to visit over the opening weekend.

There was a time when the Istanbul Biennial felt like the centre of a post-Venice Biennale world.

Just off the coast of Okayama, Japan, in the bosom of the mild Seto Inland Sea, sits a pocket-sized island with a lush, Mediterranean-esque vista and an even lusher art landscape.

What makes a great museum? It’s about more than just the art inside its walls—it’s also those walls themselves, which are meant to work in service of what’s on view.

The Art Museum in Modern Times is a richly researched book that transports us through the history of today’s galleries.

There has been a flurry of triennial and biennial art activity in Japan this year.

Ceramics first emerged in Japan in the Jomon period - the prehistoric era - making it one of the first art forms in the country, and one of the oldest ceramic traditions in the world.

Trying to make the old look young is one of the abiding fixations of our times. Not only have human beings become disinclined to age gracefully — 60 has become the new 50 (or is it 40?) — but our material culture is continually being given a face-lift to remain relevant.