黑料不打烊

With its Third Resonance, GAM Torino continues its exploration of the languages of art, presenting a new thematic chapter that investigates the intersection of enchantment, dream, and disquiet.

The exhibition Fata Morgana: Memories of the Invisible transforms the Baroque interiors of Palazzo Morando into a museum of visions鈥攁n atlas of unseen forces, apparitions, and ecstatic revelations.

It is extremely rare to hear Warhol in the same sentence as sculpture; the one exception being his famed Brillo Boxes (1964), but these feel more like three-dimensional extensions of his Pop Art pursuits rather than pure sculpture.

Tabish Khan, the @LondonArtCritic, picks his Top 5 Museum Exhibitions to see in London this Summer. Check out the previous top 5 if you鈥檙e after more shows to visit.

Discover the imaginary worlds of Victor Hugo, one of France鈥檚 most famous writers, at this exhibition of his rarely-seen works on paper.

Most of these mysterious, high-spirited doodles were never intended for display and were instead a way back into his written work.

Early experiments in spirit-guided and automatic art contributed to the rise of abstract and visionary movements

The Royal Academy鈥檚 new exhibition reveals the mighty French novelist as a fascinating, ever-experimental artist.

Astonishing Things, the RA show鈥檚 title comes from a comment Vincent van Gogh made on seeing Victor Hugo鈥檚 drawings, thus placing him in good company.

The Royal Academy of Arts exhibits a comprehensive survey of politician, author and artist Victor Hugo鈥檚 rarely seen works on paper, which were last exhibited in the UK over 50 years ago.

Victor Hugo was a prolific artist as well as a towering author and poet, but his strange work is more interesting and unnerving than truly great.

The Royal Academy鈥檚 exhibition, Astonishing Things, offers a wild ride through the Les Mis茅rables author鈥檚 feverish, invigorating drawings.

Victor Hugo is the French equivalent of Shakespeare and Dickens. The inventor of Quasimodo and Jean Valjean is so universal that we absorb his myths even if we have never picked up one of his books.

When the French novelist died in 1885, he left behind The Hunchback of Notre-Dame, Les Mis茅rables 鈥� and a fragile cache of jaw-dropping art.

The Royal Academy has used that quote as the title of this exhibition, which marks the first time Hugo鈥檚 drawings have been shown in the UK in half a century argues that Hugo鈥檚 writing and drawing go hand in hand.