ARTISTS
Azadeh Shladovsky and Daniel Wheeler: Valence
Track 16 presents "Valence," an exhibition curated by Galia Linn featuring works by Azadeh Shladovsky and Daniel Wheeler that delves into the multifaceted nature of human existence through the lens of emotion and perception.
Drawing inspiration from the psychological concept of "valence" 鈥� the inherent attractiveness or averseness of an experience 鈥� the exhibition presents a diverse collection of artworks that reflect the complexities of the human emotional experience. Through sculpture, installation, and material investigations, the exhibition explores the intricate interplay of positive and negative emotions, their impact on our lives, and the enduring power of the human spirit to navigate the complexities of our internal landscape. Extending on these themes, the exhibition explores human vulnerability and resilience within various contexts, while opening up questions of perception and empathy.
The concept of valence extends beyond psychology, resonating in other fields like music and science. In music, "valence" describes the perceived positivity or negativity of a song's emotional content. In chemistry, "valence" refers to the combining capacity of an atom, its ability to form connections with other atoms. These diverse applications highlight the fundamental human tendency to categorize and understand the world through the lens of attraction and repulsion, connection, and separation.
As curator Galia Linn states, "My interest in 'valence' stems from observing how our inherent leanings 鈥� towards connection or aversion 鈥� shape our understanding of ourselves and others. This exhibition considers how artists can illuminate these often-subtle forces." Linn continues, "The combination of Azadeh Shladovsky and Daniel Wheeler is deliberate. Their distinct artistic languages both engage with the spectrum of human experience and challenge conventional viewpoints. 'Seeing Differently,' a core tenet of this show, asks, 'What does it mean to truly see beyond surface appearances and ingrained biases?'"
Track 16 presents "Valence," an exhibition curated by Galia Linn featuring works by Azadeh Shladovsky and Daniel Wheeler that delves into the multifaceted nature of human existence through the lens of emotion and perception.
Drawing inspiration from the psychological concept of "valence" 鈥� the inherent attractiveness or averseness of an experience 鈥� the exhibition presents a diverse collection of artworks that reflect the complexities of the human emotional experience. Through sculpture, installation, and material investigations, the exhibition explores the intricate interplay of positive and negative emotions, their impact on our lives, and the enduring power of the human spirit to navigate the complexities of our internal landscape. Extending on these themes, the exhibition explores human vulnerability and resilience within various contexts, while opening up questions of perception and empathy.
The concept of valence extends beyond psychology, resonating in other fields like music and science. In music, "valence" describes the perceived positivity or negativity of a song's emotional content. In chemistry, "valence" refers to the combining capacity of an atom, its ability to form connections with other atoms. These diverse applications highlight the fundamental human tendency to categorize and understand the world through the lens of attraction and repulsion, connection, and separation.
As curator Galia Linn states, "My interest in 'valence' stems from observing how our inherent leanings 鈥� towards connection or aversion 鈥� shape our understanding of ourselves and others. This exhibition considers how artists can illuminate these often-subtle forces." Linn continues, "The combination of Azadeh Shladovsky and Daniel Wheeler is deliberate. Their distinct artistic languages both engage with the spectrum of human experience and challenge conventional viewpoints. 'Seeing Differently,' a core tenet of this show, asks, 'What does it mean to truly see beyond surface appearances and ingrained biases?'"
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