ARTISTS
Cang Xin: Spiritual Sensation
In performance art, the artist conveys his message and manifests his inner identity through 鈥淎ction鈥� and 鈥淏ody鈥�. The Body, in this process a medium of artistic creation, is no longer merely an object for aesthetic appreciation, but has transformed into a 鈥淪ite鈥� where new forms are bred and concepts are expressed and completed. The amalgamation of the Site of the Body and the Site of Artwork Execution transcends physical interaction and engenders communication with the world on the metaphysical level.
Performance artist Cang Xin queries his sensual experience and self-identity while putting forward his own solution; deriving from the framework of ordinary life, his works share a common form embracing both presumption and spontaneity. This forms a thread connecting all four series of works. Presumption here refers to the fact that the Sites involved in Cang Xin鈥檚 works are mostly national landmarks or prominent architecture with clear implications. Within such context, the spontaneous 鈥渄aily-life actions鈥� sublimate to art and are freshly endowed a new spirit evincing the inner identity of the artist, thus illustrate the progression from 鈥淎ction鈥� to 鈥淧erception鈥�.
Encountering Cang Xin鈥檚 works, the audience would perceive a certain connection with the artist, allowing them to reflect and question their own identity or the physical body void of which, eventually be immersed in the search of meaning of the self within the social fabric.
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In performance art, the artist conveys his message and manifests his inner identity through 鈥淎ction鈥� and 鈥淏ody鈥�. The Body, in this process a medium of artistic creation, is no longer merely an object for aesthetic appreciation, but has transformed into a 鈥淪ite鈥� where new forms are bred and concepts are expressed and completed. The amalgamation of the Site of the Body and the Site of Artwork Execution transcends physical interaction and engenders communication with the world on the metaphysical level.
Performance artist Cang Xin queries his sensual experience and self-identity while putting forward his own solution; deriving from the framework of ordinary life, his works share a common form embracing both presumption and spontaneity. This forms a thread connecting all four series of works. Presumption here refers to the fact that the Sites involved in Cang Xin鈥檚 works are mostly national landmarks or prominent architecture with clear implications. Within such context, the spontaneous 鈥渄aily-life actions鈥� sublimate to art and are freshly endowed a new spirit evincing the inner identity of the artist, thus illustrate the progression from 鈥淎ction鈥� to 鈥淧erception鈥�.
Encountering Cang Xin鈥檚 works, the audience would perceive a certain connection with the artist, allowing them to reflect and question their own identity or the physical body void of which, eventually be immersed in the search of meaning of the self within the social fabric.
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