Ground/Work 2025
Curated by independent art historian Glenn Adamson, Ground/work 2025 features a dynamic range of outdoor presentations by international artists, Y艒 Akiyama, Laura Ellen Bacon, Aboubakar Fofana, Hugh Hayden, Milena Naef, and Javier Senosiain that respond to the Clark鈥檚 unique setting while expressing ideas core to each artist鈥檚 individual practice. Like the inaugural Ground/work, which opened in summer 2020, the installations will remain on view for over one year allowing visitors to encounter the works day or night and throughout the seasons, experiencing them anew as the landscape and weather conditions change. Ground/work 2025 closes in October 2026.
Set throughout the woodland trails and open meadows of the Clark鈥檚 distinctive 140-acre campus, the exhibition includes newly commissioned, site-specific installations by six leading contemporary artists. The focus is on global conceptions of craft: the means by which artists transform the world around them.
In Eurocentric art history, it has long been accepted practice to draw a firm line between craft and fine art. In many parts of the world, however, no distinction exists; rather, there is a holistic domain of making and meaning. In surveying craft across cultures and practices, Ground/work 2025 aims to transcend the binary question鈥�"Is it art or is it craft?鈥濃�攁nd instead highlight craft as a motor for artistic expression.
The exhibition foregrounds the international diversity in craft, with a range of artists critically reflecting on the traditions that inform their skilled making. The six participating artists represent a diversity of geography, materiality, ethnicity, gender, and generation, and each possesses a craft-intensive practice as well as an informed and dynamic relationship to national or regional traditions, exemplifying the way that artisanal traditions can be reinvented to generate contemporary form and meaning.
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Curated by independent art historian Glenn Adamson, Ground/work 2025 features a dynamic range of outdoor presentations by international artists, Y艒 Akiyama, Laura Ellen Bacon, Aboubakar Fofana, Hugh Hayden, Milena Naef, and Javier Senosiain that respond to the Clark鈥檚 unique setting while expressing ideas core to each artist鈥檚 individual practice. Like the inaugural Ground/work, which opened in summer 2020, the installations will remain on view for over one year allowing visitors to encounter the works day or night and throughout the seasons, experiencing them anew as the landscape and weather conditions change. Ground/work 2025 closes in October 2026.
Set throughout the woodland trails and open meadows of the Clark鈥檚 distinctive 140-acre campus, the exhibition includes newly commissioned, site-specific installations by six leading contemporary artists. The focus is on global conceptions of craft: the means by which artists transform the world around them.
In Eurocentric art history, it has long been accepted practice to draw a firm line between craft and fine art. In many parts of the world, however, no distinction exists; rather, there is a holistic domain of making and meaning. In surveying craft across cultures and practices, Ground/work 2025 aims to transcend the binary question鈥�"Is it art or is it craft?鈥濃�攁nd instead highlight craft as a motor for artistic expression.
The exhibition foregrounds the international diversity in craft, with a range of artists critically reflecting on the traditions that inform their skilled making. The six participating artists represent a diversity of geography, materiality, ethnicity, gender, and generation, and each possesses a craft-intensive practice as well as an informed and dynamic relationship to national or regional traditions, exemplifying the way that artisanal traditions can be reinvented to generate contemporary form and meaning.
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This summer, the Clark Art Institute will present Ground/work 2025.
