黑料不打烊

As a pioneer of abstraction and a renowned aesthetic theorist, Vasily Kandinsky (b. 1866, Moscow; d. 1944, Neuilly-sur-Seine, France) is among the foremost artistic innovators of the early twentieth century. In his endeavor to free painting from its ties to the natural world, Kandinsky discovered a new subject matter based solely on the artist鈥檚 鈥渋nner necessity鈥� that would remain his lifelong concern.

In Munich in the 1900s and early 1910s, Kandinsky began exploring the expressive possibilities of color and composition, but he was abruptly forced to leave Germany with the outbreak of World War I, in 1914. The artist eventually returned to his native Moscow, and there his pictorial vocabulary started to reflect the utopian experiments of the Russian avant-garde, who emphasized geometric shapes in an effort to establish a universal aesthetic language. Kandinsky subsequently joined the faculty of the Bauhaus, a German school of art and applied design that shared his belief in art鈥檚 ability to transform self and society. Compelled to abandon Germany again when the Bauhaus closed under Nazi pressure in 1933, he settled outside Paris, where Surrealism and the natural sciences influenced Kandinsky鈥檚 biomorphic imagery.

More so than any other artist, Kandinsky is intertwined with the history of the Solomon R. Guggenheim Foundation, established in New York in 1937. Industrialist and museum founder Solomon R. Guggenheim began collecting Kandinsky鈥檚 work in 1929 and met him at the Dessau Bauhaus the following year. This exhibition draws from the foundation鈥檚 extensive holdings to illustrate the full arc of Kandinsky鈥檚 seminal career.