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The Impressionist Line: From Degas to Toulouse-Lautre

05 Nov, 2017 - 07 Jan, 2018
In 1874 French artists Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir were among the founding members of the Anonymous Society of Painters, Sculptors, Printmakers, Etc., an artist cooperative dissatisfied with the conservative annual state-sanctioned art exhibition known as the Salon. The independent-minded collective鈥攖he Impressionists鈥攄efied academic tradition with their innovative artistic practices as well as their public presentation strategies.


Prints and drawings made up nearly half of the works included in the eight Impressionist exhibitions鈥攁 series of independent, artist-organized events held in Paris between 1874 and 1886鈥攖hat defined the movement. Today Impressionism is usually understood as celebrating the primacy of oil painting rather than the drawn or printed line. The Impressionist Line challenges this perception, exploring the Impressionists鈥 substantial鈥攁nd often experimental鈥攃ontributions to the graphic arts. The works on view span from the precursors of Impressionism such as Charles-Fran莽ois Daubigny and Constantin Guys to the Impressionists Edgar Degas and Mary Cassatt, and conclude with Post-Impressionists Paul Gauguin and Henri de Toulouse-Lautrec.


In 1874 French artists Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir were among the founding members of the Anonymous Society of Painters, Sculptors, Printmakers, Etc., an artist cooperative dissatisfied with the conservative annual state-sanctioned art exhibition known as the Salon. The independent-minded collective鈥攖he Impressionists鈥攄efied academic tradition with their innovative artistic practices as well as their public presentation strategies.


Prints and drawings made up nearly half of the works included in the eight Impressionist exhibitions鈥攁 series of independent, artist-organized events held in Paris between 1874 and 1886鈥攖hat defined the movement. Today Impressionism is usually understood as celebrating the primacy of oil painting rather than the drawn or printed line. The Impressionist Line challenges this perception, exploring the Impressionists鈥 substantial鈥攁nd often experimental鈥攃ontributions to the graphic arts. The works on view span from the precursors of Impressionism such as Charles-Fran莽ois Daubigny and Constantin Guys to the Impressionists Edgar Degas and Mary Cassatt, and conclude with Post-Impressionists Paul Gauguin and Henri de Toulouse-Lautrec.


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