ARTISTS
The Score
A musical score is a form of translation. It transcribes sound into drawing, by representing the aural complexities of pitch, rhythm and tempo as visual symbols.The Score expands upon this spirit of transformation to ask, if music can be represented by notes on a staff, why not by colours? If a song can be performed by the voice, why not with silent hand gestures? And how would dance based upon the syllables of a poem, or music based upon the shape of a leaf manifest?In this international group exhibition, scores and notation are considered as a starting point to explore the current cross-disciplinary trend in contemporary art, which has seen dance, music and vocal performance increasingly incorporated into visual artworks.
The Score presents a range of contemporary and historical artworks that shift between one discipline to another. Musical notation becomes a visual metaphor for a moment of translation between forms 鈥� the point where creative leaps and conceptual shifts spark new possibilities.Spanning all three floors of the Potter, the exhibition will include examples of music and dance notation, from Medieval manuscripts through to graphic notation of the 1960s, alongside artworks and performances. The colour music experiments of Modernist abstract painters such as Roy de Maistre and Ludwig Hirschfeld-Mack will inform a more recent series of work John Nixon, whose paintings will be 鈥榩layed鈥� in the gallery by a musical ensemble. Influential composer John Cage鈥檚 movable scores made of Plexiglas and acetate will sit alongside drawings by Marco Fusinato, which compress Cage鈥檚 Water Music score into one moment. Performance videos by Yuki Kihara and Christine Sun Kim & Thomas Mader explore the communicative potential of hand gestures. Sriwhana Spong translates a diary text by ballet dancer Vaslav Nijinsky into choreography, while Nathan Gray transforms the composer Cornelius Cardew鈥檚 epic graphic score Treatise into sculpture.
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A musical score is a form of translation. It transcribes sound into drawing, by representing the aural complexities of pitch, rhythm and tempo as visual symbols.The Score expands upon this spirit of transformation to ask, if music can be represented by notes on a staff, why not by colours? If a song can be performed by the voice, why not with silent hand gestures? And how would dance based upon the syllables of a poem, or music based upon the shape of a leaf manifest?In this international group exhibition, scores and notation are considered as a starting point to explore the current cross-disciplinary trend in contemporary art, which has seen dance, music and vocal performance increasingly incorporated into visual artworks.
The Score presents a range of contemporary and historical artworks that shift between one discipline to another. Musical notation becomes a visual metaphor for a moment of translation between forms 鈥� the point where creative leaps and conceptual shifts spark new possibilities.Spanning all three floors of the Potter, the exhibition will include examples of music and dance notation, from Medieval manuscripts through to graphic notation of the 1960s, alongside artworks and performances. The colour music experiments of Modernist abstract painters such as Roy de Maistre and Ludwig Hirschfeld-Mack will inform a more recent series of work John Nixon, whose paintings will be 鈥榩layed鈥� in the gallery by a musical ensemble. Influential composer John Cage鈥檚 movable scores made of Plexiglas and acetate will sit alongside drawings by Marco Fusinato, which compress Cage鈥檚 Water Music score into one moment. Performance videos by Yuki Kihara and Christine Sun Kim & Thomas Mader explore the communicative potential of hand gestures. Sriwhana Spong translates a diary text by ballet dancer Vaslav Nijinsky into choreography, while Nathan Gray transforms the composer Cornelius Cardew鈥檚 epic graphic score Treatise into sculpture.
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