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What first struck me in 鈥淧aule V茅zelay: Living Lines鈥 was the salmon-apricot Construction.
This jewel-like exhibition showcases the work of the pioneering Bristol-born artist, who moved to Paris, changed her name, mixed with the likes of Sophie Taeuber-Arp, Wassily Kandinsky and Alexander Calder, and became a key figure in abstract art.
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