黑料不打烊

MK&G鈥檚 latest exhibition is a vibrant flurry of sparkles and glitter with a rippling Y2K undercurrent, proving that 'Glitter is so much more than you think it is'.

Water鈥攚hether too much or too little, clean or unsafe鈥攊s one of the most pressing human preoccupations.

Can art and design provide another perspective to deal with the environmental crisis by reconfiguring our relationship with the Earth? 

Valentina Karga鈥檚 鈥楶rehistoric Posthumans鈥� (2022) populate the hallways of the Museum f眉r Kunst und Gewerbe Hamburg鈥檚 upper floor. 

On the occasion of the 5th anniversary of the Elbphilharmonie Hamburg...

The Museum f眉r Kunst und Gewerbe Hamburg is presenting the first comprehensive survey of the work of photographer Hildegard Heise (1897鈥�1979).

To celebrate Janosch鈥檚 90th birthday, the Museum f眉r Kunst und Gewerbe Hamburg is devoting a large-scale exhibition to the internationally renowned illustrator, author and bon vivant. The focus is on his lust for life, amply evident from his biography.

Susanne Kriemann (b. 1972) deals in her art with radioactive radiation and the effects of civilisation on nature.

From a digital recreation of a Rem Koolhaas design to photographs from the streets of Manchester, July鈥檚 got a lot to offer when it comes to events, exhibitions and experiences.

Untold Stories is the first ever survey exhibition curated by Peter Lindbergh himself.

Here鈥檚 our monthly round-up of events and exhibitions taking place throughout the coming weeks, at a time when we need to rally together to support the creative industries.

In Japanese culture, repetition and copying are regarded as the basis for artistic creation. Far removed from the paradigm of originality in European modernism, in Japanese art imitation and duplication are a matter of course.

As part of its exhibition series Reconsidering Photography, the Museum f眉r Kunst und Gewerbe Hamburg is undertaking a survey of the German photography scene around the year 1980.

German culture ministers from all sixteen states met on Wednesday, March 13, and agreed to establish protocols for repatriating colonial-era objects from public collections across the country that were acquired 鈥渋n ways that are legally or morally unjustifiable today.鈥�

The Museum f眉r Kunst und Gewerbe Hamburg is arranging to return an Afghan marble wall panel it purchased in good faith at a Paris auction in 2013.